Olga Tschechowa

The Bambi, often called the Bambi Award and stylised as BAMBI, is a German award presented annually by Hubert Burda Media to recognize excellence in international media and television to personalities in the media, arts, culture, sports, and other fields "with vision and creativity who affected and inspired the German public that year", both domestic and foreign. First held in 1948, it is the oldest media award in Germany. The trophy is named after Felix Salten's book Bambi, A Life in the Woods and its statuettes are in the shape of the novel's titular fawn character. They were originally made of porcelain until 1958, when the organizers switched to using gold, with the casting done by the art casting workshop of Ernst Strassacker in Süßen.

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Vienna in the beginning of the twentieth century. Cavalry Lieutenant Fritz Lobheimer is about to end his affair with Baroness Eggerdorff when he meets the young Christine, the daughter of an opera violinist. Baron Eggerdorff however soon hears of his past misfortune...

When actress Mary Baring is found in a daze beside her colleague's murdered body, all evidence points to her guilt. During the trial, juror Sir John Menier doubts the verdict, but yields to pressure. Haunted by remorse, he launches his own investigation.

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Saleswoman Jenny is crazy about the painter Jack. But Jack does not want to marry, even though he loves Jenny passionately. So Jenny looks elsewhere to find the right man. She marries twice, but always ends up back with Jack and gives herself to him with no attachments. Will Jack and Jenny find true love? Of course!

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After a masked carnival ball, Gerda Harrandt, wife of the surgeon Carl Ludwig Harrandt, allows the fashionable artist Ferdinand von Heidenick to paint a portrait of her wearing only a mask and a muff. This muff however belongs to Anita Keller, in secret the painter's lover but also the fiancée of the court orchestra director Paul Harrandt. The picture is then published in the newspaper. When Paul sees it and asks von Heidenick some questions about the identity of the model, the artist is forced to improvise a story and on the spur of the moment invents a woman called Leopoldine Dur as the alleged model. Leopoldine Dur however turns out to be a real woman whose acquaintance Heidenick makes shortly afterwards.

Martin Hollmann, a young gardener meets his significantly older wife's daughter from her first marriage. Liesbeth Kröger is from his generation and they both get along well straight away. Shortly after his wife's death, Martin brings Liesbeth into his house as a housekeeper, and they both fall in love. The couple live together and soon decide to get married when Liesbeth becomes pregnant by Martin. But now the tragedy begins, because when registering at the registry office, Martin and Liesbeth, in the form of a strict bailiff, are officially declared that they have committed incest in accordance with Section 173 of the Criminal Code.

The sinister Count Oetsch scandalizes the aristocratic social gathering at Castle Vogelod as he announces his intention to "crash" the festivities. Baroness Safferstätt is expected shortly, and the guests are well-aware of the rumors that Count Oetsch murdered the baroness' late husband. Oetsch refuses to leave, vowing that he will reveal the identity of the real killer. Before the weekend is through, the Count and Baroness will reveal secrets too shocking to be believed!

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In this convoluted melodrama, an elderly thespian falls for a rising young starlet. He admits his love for her and then announces that he will retire. The young woman pretends she loves him too, but her real motive is to give her struggling lover, also an aspiring actor, a break.

The film begins in a Berlin club with Trude Berliner singing as gangsters plan a burglary at a Hamburg hotel. At the hotel, Orbeliani leads the band while his wife Olga sings their son Jascha to sleep. During the heist, Jascha wakes, screams, and is knocked down. The gangsters flee to Berlin with stolen jewels and the unconscious Jascha. Homolka, one of the gangsters, refuses to abandon the boy, nurses him back to health, and pretends to be his uncle, claiming his parents are on an American tour. Homolka develops motherly feelings, facing ridicule from his friends and Trude Berliner.

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This is a real curiosity; at best a reasonable film, but also a charming little gem. There is a story (in the line of "A Star is Born"), but this merely serves as an excuse, as it is more importantly a kind of moving encyclopedia of about 35 stars making their debut in a talkie (although some of them had already made one talkie), of the technical sound possibilities and of film making. Besides all that, it is entertaining and sometimes hilarious and it has fine one-liners that split my side. The film is also remarkable for making mock of typical German film genres (like the overly sweet romances involving the military), of too heavy acting and of film making in general. I have to mention this one: a short, hysterically funny parody of "Der blaue Engel". What this film in fact says is: do not take any film too seriously. (J. Steed)

In 1939 German U-boat captain Günther Prien receives orders to infiltrate the British Royal Navy base at Scapa Flow and sink British warships.

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Willy, Kurt and Hans are broke, so they sell their car and open a filling station. Then, they all fall in love with the same girl.

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