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Carlo Tuzii

Directing

Known For

So Long Gulliver
N/A

Story of a man with a double personality, on one side his character is honest and sincere, which makes him appreciate reality and participates with sorrow in the tragedies of our times: his other side is that of a dreamer and he identifies himself with Swift's hero Gulliver.

So Long Gulliver

1970
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7.3

Based on the infamous Stanford prison experiment. In 1977, Italian director Carlo Tuzii adapted the experiment to an Italian environment. Italian students made a film based on it, La Gabbia (The Cage).

La Gabbia

1977
L'altro enigma
9.0

No description available.

L'altro enigma

1988
Improvviso
8.0

No description available.

Improvviso

1979
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N/A

Faithful adaptation of a story by Tomasi di Lampedusa on the encounter between a man and a mermaid, for the television series Ten Italian directors, ten Italian short stories , in which Gianni Amelio, Luigi Comencini, Carlo Lizzani participated among others.

Lighea

1983
La sconfitta di Trotsky
7.0

No description available.

La sconfitta di Trotsky

1967
Storia d'amore
5.2

A young woman struggles to overcome the dehumanization of poverty.

Storia d'amore

1986
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N/A

Set in a retirement home, the drama studies components, manias, small and large dramas of retirees.

Le cinque stagioni

1976
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N/A

No description available.

Il caso Fuchs

1966
The Man of the Winds
N/A

The story of a geologist who studies the strength and direction of the wind to avoid avalanches and finds himself involved in the interests and mysterious stories of a small village in the Alps.

The Man of the Winds

1975
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N/A

A documentary about the trial of Philippe Pétain.

Philippe Pétain: Processo a Vichy

1965
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N/A

First portrait of Negus Hailé Selassié made by Italian television. The descendant of the Solomonid lineage, the last emperor of Ethiopia, forced into exile by the fascist invasion between 1936 and 1941, when he returned to his country after the liberation of the Allied Forces. In 1965 Selassié, considered a new messiah for Rastafarianism, was still in office, the empire of Ethiopia ending in 1974, a year before his death. (1965)

Primo Piano: Hailé Selassié, imperatore d'Etiopia

1965
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8.0

For many decades after the Second World War, the Italian economy was so much weaker than that of its European neighbors that many of the "guest workers" in those neighboring states were Italian. This film tells the story of some Italian guest workers in Switzerland and highlights the discrimination they suffered. Pino has raised the money, after two years in Switzerland, to bring his wife and children to live with him outside the Italian ghetto. When he brings her brother to live with them, an international crisis develops.

Every Sunday Morning

1972