Mickalene Thomas

Do I Look Like a Lady? (Comedians and Singers) presents a dynamic checkerboard of moving image footage featuring African-American actors and singers from across the 20th century: from Jackie “Moms” Mabley to Eartha Kitt, Whoopi Goldberg, Whitney Houston, and several others. The video focuses on their individual voices as they express heartbreaking roles, pointed lyrics, sharp jokes, and strong statements of resistance to the dominant culture. The work is a powerful, and often riotous, reflection on the roles of black women in the United States.

An examination of how the American flag can be reclaimed as a symbol of unity for all Americans, with a focus on the LGBTQ community.

Queer culture and the arts would be much poorer without the presence and contribution of butch and stud lesbians, whose identity is both its own aesthetic and a defiant repudiation of the male gaze.

In 1971, underestimated artist Faith Ringgold made a monumental painting for the women incarcerated at Rikers Island jail called “For the Women’s House.” Fifty years later, artist Mary Baxter, who at the age of twenty-five gave birth in prison, finds herself banding together with an eccentric bunch of activists, politicians, artists, corrections officers, and Faith Ringgold to free the painting with the ultimate goal of freeing the women.

Visual artist Marilyn Minter has been a major creative voice since the 1970s. Despite her undeniable talent, her provocative style—often blurring the lines between pornographic and commercial—has kept her at arm’s length from the art world’s inner sanctum. Marilyn’s steadfast commitment to her own creative instincts has carried her through eras of success and rejection and into the present, where she has become known for capturing cultural icons like Lizzo, Jane Fonda, Pamela Anderson, Monica Lewinsky, and many others. As the public appetite catches up to Marilyn’s vision, will the establishment’s gatekeepers finally accept her?

Roberta Smith and Jerry Saltz are both rockstars in the world of art criticism. They’re also madly in love. Reflecting on their relationship, careers, and the ever-evolving New York City art scene, this unlikely power couple invites us into their surprisingly humble world.

A groundbreaking, immersive, nonlinear cinematic journey where artists' expressions blend with historical and real-life footage, unveils the profound impact of white supremacy on our human connections. Led by a dynamic team including Jacqueline Woodson, Catherine Gund, Erika Dilday, Meshell Ndegeocello, and M. Trevino, this collaborative masterpiece weaves together diverse visions, poignantly revealing how race, racism, and resistance shape our shared breath, not just in moments of crisis, but in the enduring, pervasive legacy of that risk.

African-American painter Mickalene Thomas pays tribute to the life and longings of her mother and muse Sandra Bush in this documentary short. A former runway model with a poignant backstory filled with dreams, regrets and redemption, Sandra is the focus of this emotional portrait for her New York-based artist-daughter Mickalene, for whom she serves as a model and inspiration.