Lilian Harvey

The Bambi, often called the Bambi Award and stylised as BAMBI, is a German award presented annually by Hubert Burda Media to recognize excellence in international media and television to personalities in the media, arts, culture, sports, and other fields "with vision and creativity who affected and inspired the German public that year", both domestic and foreign. First held in 1948, it is the oldest media award in Germany. The trophy is named after Felix Salten's book Bambi, A Life in the Woods and its statuettes are in the shape of the novel's titular fawn character. They were originally made of porcelain until 1958, when the organizers switched to using gold, with the casting done by the art casting workshop of Ernst Strassacker in Süßen.

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A wealthy young man bets his uncle that he can transform a clumsy cleaning lady into a glamorous fashion plate, then marry her off to his bachelor cousin.

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An Austrian prince hatches a plan to keep his rival, the Russian czar, busy by keeping him surrounded by beautiful women and away from the negotiating table. The Czar, however, has his own plan—he hires a man who is his exact double to impersonate him and confuse the Austrians by appearing to be everywhere at once. In addition, both the Czar and his double fall for the same woman.

Kitty Kellermann is set to appear in court on suspicion of murder. She is accused of killing her husband. Strangely enough, Peter Bille, who suddenly shows up, confesses to the crime of his own accord, but manages to escape shortly afterward. An adaptation of the play Hokuspokus by Curt Goetz.

A dashing marquis bends from his horse when he discovers a lost garter in the woods and falls. During his delirium he is serenaded by a little hairdresser. She is the person who lost the garter to begin with and has only come to get it back having borrowed it from her employer--the empress of France. The marquis mistakenly thinks he was nursed by the empress, herself, and decides to woo her.

The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.

William MacPhab loses seven-pounds in the stock market and decides to slap the man who was responsible for the stock manipulation that caused him to lose his money. Astor Terbanks, the stock-market manipulator is surprised the next day when he gets soundly slapped by MacPhab, and the latter promises to deliver one more a day for the next six days. Terbank's daughter, Daisy, is amused by the procedure and is attracted to MacPhab.

Willy, Kurt and Hans are broke, so they sell their car and open a filling station. Then, they all fall in love with the same girl.

An American millionaire, who had always bad luck with women, bets that he can live without them for five years. But after four and a half years traveling around on his yacht, he rescues a lady from drowning in the English Channel.

Lilian Harvey plays Eva, a young girl taking some time in a health spa and spending her evenings in the town's vaudeville theatre enamoured by a heavily made-up clown called Quick. Quick takes a shine to her and tries to woo her without make-up and masquerading as the theatre's manager. Unable to resolve her feelings for Quick and the theatre manager, Eva is angered when she finally learns that they are one and the same.

The young wife of a rich old husband is prevented of a fling by a gentleman-burglar, who falls in love to her.

A dancer falls in love with a puppeteer, much to the consternation of her manipulative manager. The puppeteer himself seems more interested in his puppets than in romance with her. Can she find true love?

In a make-believe, mittleuropean kingdom, a vivacious but dim country girl sings in a beer garden for her rent money. Meanwhile, the king is facing bankruptcy for his little nation, unless he marries a rich but undesirable queen of another comic opera principality. Eventually he takes in the struggling young singer, and they fall in love, despite possible ruin.

Prince Klemens von Metternich orders Friedrich Gentz, one of his aides, to keep the Duke of Reichstadt---Napoleon Francois Joseph Charles---son of Napoleon and heir to the French throne, from thinking about French politics. Gentz enlists the help of ballerina Fanny Elsser, all the rage in several European capitals, to keep the Duke distracted.

English-language version of Ich und die Kaiserin. 'Germany, 1890. Duke falls in love with voice which is not that of empress, but of hairdresser.' (British Film Catalogue)

Released in Germany as Schwarze Rosen, Black Roses represented the return to UFA studios of British musical comedy favorite Lillian Harvey, after several years in Hollywood. The delectable Harvey plays a Russian ballerina, stranded in turn-of-the-century Finland. She falls in love with sculptor Esmond Knight, a political dissident with a price on his head. To save Knight, Harvey spends the night with Tsarist governor Robert Rendel. The story is based on the real-life ballerina Marina Feodorovna, who ended up sacrificing her life on behalf of her lover. Black Roses was filmed in three languages: German, French and English; the English version was originally titled Did I Betray?