Marco Biscarini

A portrait of Ennio Morricone, the most popular and prolific film composer of the 20th century, the one most loved by the international public, a two-time Oscar winner and the author of over five hundred unforgettable scores.

Middle-aged sisters Taina and Pirkko are famous for their Finnish farmhouse ale called “sahti”. The third sister, Päivi, is getting married, and she asks her sisters if they can make 100 liters of sahti for the wedding. Unfortunately, it’s too good not to drink it. The sisters wake up in a horrible hangover and realize they have drunk it all. They have 24 hours to find 100 liters of good sahti, or they will lose all the respect.

The cheapest drivers in the hearse business, gambling addict Risto Kivi and his friend Arto Niska, an 85% brainless man, have found themselves in a situation where everything has gone wrong and a fresh start is needed.

A group of Italian villagers struggle to survive during a tumultuous time in 1943, debating how much assistance to give the partisans with the impending arrival of the Germans. Based on True Events.

Lubo Moser is a jenisch, a gypsy. Mirana, who tried to oppose him, was killed. But how could this have happened? Why? Because Switzerland considers nomadism a social scourge, and, to eradicate it, it takes the children of the jenisch. Thus, without children, the Jenisch will be without a future. The mastermind is a state-run humanitarian institution, Pro Juventute, the arm the Street Children's Work: everything is perfectly legal and there is no opposition to the law. Lubo feels himself dying. And something about him really does die, on that night of wind and snow: it will be a new Lubo, tough and impenetrable, who will set up a project with unexpected implications to avenge his family and his people... and it will lead us to rethink the sense of justice, in the blurred boundaries between good and evil.

The film tackles the life journey of Toni Ligabue, visionary naïf painter who used to draw tigers, lions and jaguars while living among the poplar trees of the boundless Po valley. A harsh life that is a fairy tale too, as a lonely and marginalized kid finds redemption in his art, and a way to express himself and be admired by the world.

It is the true story of a man called Biagio Conte, a Sicilian who was looking for God and ended up founding a mission to help the homeless and the poorest immigrants of his city. His story starts in the mountains as a shepherd and continues on a long trip to reach Assisi, the home of Saint Francis.

The aging, conservative population of a small, sleepy village in the Italian Alps are surprised to see that a former French professor has settled there with his young wife and their three children to produce goat cheese, in order to escape the wrongs of civilization. At first they are suspicious of his unconventional ideas and lifestyle, then are conquered by the enthusiasm, kindness, helpfulness of the young family and start to see in them a possible rebirth of the place. But little by little misunderstandings, envy and conflicts take over.

To discover the truth behind the mysterious objects her uncle brought back from the Far East during her childhood, filmmaker Francesca Lixi embarks on a journey to those places through archival footage.

No description available.

Mr. Nothing is a bitter fairy tale about two young men who meet on an app: one loves unreservedly, while the other seduces and destroys, incapable of opening up. Caught between illusion and fear, he chooses the void over love.

For decades, wherever people have fought against injustice, they have sung “Bella ciao.” It is said to have been the anthem of Italian partisans fighting against fascism in the Second World War, but there are those who doubt the truth of this. The origins of the song are unclear. Was it a folk song favored by exploited workers in the rice fields in Italy? The accounts of various speakers are richly illustrated with archive material.

Anita is sixteen and she’s facing a difficult situation: her mother died of leukemia and now Jacopo, her father, is also sick: his need for a bone-marrow transplant is increasingly urgent, but the average waiting period for a donor is many months. Anita isn’t compatible, and neither is Tonino, her grandfather shepherd who lives in the nearby tableland, close to a military base which affect the area since the Sixties. There is uncle Gaetano: being Jacopo’s brother the probability that he is compatible is higher, but Gaetano is a hothead and he and Jacopo haven’t had any relationship at all: an old grudge, which they don’t want to forget, is keeping them apart.

The story takes place in March 1999, Kosovo. It is the period of NATO bombing. Massive displacement of Albanians on ethnic basis. Terror, fear, insecurity and hunger have plagued the town of Gjakova.

Emma is a child and adolescent psychotherapist, a sixty-year-old woman with a gentle smile and a kind gaze. Every day, she welcomes children and teenagers into her office, where they express their discomfort and their "difficulty in living."

No description available.

I Talk Otherwise is a movie about a journey along the Danube seen from the viewpoint of the river itself. It has been shooted in 8 countries and 9 languages, from West to East, from Capitalism to Communism, from the Black Forest to the Black Sea, flowing between the mixtures, the rafts, and the cultural contradictions of the lands crossed by the great river. Conceived as a road movie, it trails the river from its source in Germany, across Austria and some former Communist countries - Slovakia, Hungary, Croatia, Serbia, Bulgaria, Romania - all the way to its mouth in the Black Sea, on a journey from the past to the future of the Europe.

This film exposes the hidden dangers of dating apps driven by the urgent consumption of sex and entertainment. Behind simple profile pictures often hide pathological narcissists and ambiguous characters. Looking for fleeting encounters, they prey on vulnerable users through flattery and deception. In this virtual world, emotional connection is entirely absent. Everyone becomes a mere object of desire in a perverse, addictive game of dominance and submission that detaches users from reality. Ultimately, the virtual realm takes over, leading to a profound depersonalization where human beings are completely stripped of their humanity.

A struggling Puglian restaurateur, hit by war-driven price hikes, persuades friends to revive decades-old cigarette smuggling, using the illicit trade as a metaphor to expose the political, cultural, and environmental abandonment of the Brindisi-Taranto region.