Albert Paulig

His Greatest Bluff is a German silent comedy film. Today, the film is best known for the early role it offered to Marlene Dietrich who was only cast after great effort by her agents.

The daughter of the Parisian countess Lafitte, named "Baby", is supposed to go to an English boarding school, but she's much more interested in variety shows. Nevertheless, she travels with her friend Susette to London, who also wants to make a career for herself as a showgirl. During the journey, Baby is mistakenly considered to be a showgirl and she does nothing to dissuade two young English lords from believing so. The girls continue to live under false pretenses even when they arrive in England, with Baby being a soloist with the group "Babies" and Suzette passing herself off as the Contessa Lafitte for school exams. At the end -- a double marriage.

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A house in Paris happens to have two families living there with the same last name. In one apartment lives opera singer Gambetta Duval with his two daughters, Jeanne and Nita. In the second apartment lives old lady Duval with her grandchild Philippa and an her lodger, the physician Leon Monnier. Jeanne is secretly in love with Dr. Monnier who is secretly in love with Nita, who is secretly having an affair with the great playwright Armand de Marny.

Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.

A pampered American oyster tycoon decides to buy a husband for his daughter, but things don’t go quite as planned. Along the way there are mishaps, misunderstandings and a foxtrot sequence that must be seen to be believed.

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Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.

A long time ago, John Miller emigrated from Germany to America. Now he wants his daughter Elinor to get to know his old homeland and sends her off to Heidelberg, where she is to study for a year. Pretty soon, the pretty young girl is in demand among the young men in town. Especially the students Dahlberg and Bornemann try to win Elinor's heart.

Der Stolz der Firma, meaning The Pride of the Business, is a classic German silent film from 1914. The film tells the story of a shrewd apprentice and is filmed in the comical style of director Lubitsch. This is one of the few Lubitsch films from World War I that wasn’t lost.

Susanne Braun is keen to meet her father who she has never seen, but who supports her financially. She visits the Berlin lawyer who oversees the monthly maintenance payments, but he sets her on completely the wrong track. Consequently she encounters several potential fathers.

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When a travelling troupe threatens to unleash a saucy Berlin revue on the provincial town of Emilsburg, the local Morality Society, a band of sanctimonious middle-aged men, stages a protest. Meanwhile, the reigning monarch is concerned that his son and heir is not living his life to the full. Ninon d’Hauteville, a showgirl and the revue’s star attraction, takes a job as piano teacher to the young prince after her engagement at the local theatre was brought to a premature end, a result of the Morality Society’s interference. It doesn’t take long for those hypocrites to get wind of this. While on the outside they appear to be concerned with running the immoral woman out of their town, behind closed doors they rank among the new piano teacher’s most ardent pupils. However, Ninon, out to right the wrong done against her, secretly keeps a “diary” of their visits, recording each encounter on film with a hidden camera.

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Naughty Susanne leads an exciting double life between her hometown and Paris: in the provincial nest she is considered the ever virtuous and down to earth girl, while in the cosmopolitan city she always escapes to, she is the queen of the night, sophisticated and seductive. In Paris, she meets René and begins to recruit him, but she has a noble competitor: Jacqueline. A spirited love triangle begins, complicated by the interventions of uncomprehending moral preachers. Their befitting final finds the story in the Moulin Rouge.

An unmarried showgirl takes a handsome companion with her on a vacation, to the distress of others.

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The film follows the comic (mis)adventures of a poor street musician, who is roped into posing as an eccentric nobleman. He and his antics are rapturously received by the members of a bourgeois family desperate to mingle with the aristocracy. The daughter of the family takes a fancy to the baron (in reality, merely a “joke baron”), assuming him to be immensely wealthy.

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