Directing
A dark and absurd road-movie comedy in which the grandmother fulfills a dream, the mother stops treating her daughters like kids, the daughters stop treating their husbands like idiots, and the father's ashes get spread all over the country.
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The 50th anniversary of the Barrandov studios was celebrated with a spectacular show: many directors and other important people gathered in the expensive decorations of the Variety Theatre auditorium (built for the Circus Humberto series). They smiled and showed well-deserved relaxation after a job well done in managing socialist cinema. Vladimir Sís interspersed this with excerpts from films, mainly his own and also a little of others who had worked on the "Hill of Dreams".
Alice Nellis's small-scale debut tragicomedy spotlights small-town elections. The protagonist, a university student name Jana (Theodora Remundová) who is trying to solve a troubled relationship with a married man, takes her mother's place on the election commission. In the meantime the mother (Iva Janzurová) is going through her own small domestic crisis with her husband (Leos SucharÃpa). Thanks to excellent acting performances and restrained direction, the film convincingly outlines interpersonal relations and their light social overtones.
A four-story omnibus depicting different Czech slices-of-life from the titular city.
A loose sequel to the 1976 comedy Stormy Wine. The screenwriters and the director recreate on screen a number of characters from the South Moravian town of Pálavice, characterised by their different attitudes and approaches to work and private life. A number of serious issues touching on the times emerge around the story of the con man. The fundamental dispute between the vice-chairman Janák and the chairman of the merged cooperatives ing. Urban, as well as the satirical theme of illegal machinations and bribes, are undoubtedly of general validity.
30 years of freedom = 30 authors = 30 minutes of films. A unique project of Reflex magazine and Czech Television, which in honor of the 30th anniversary of the Velvet Revolution reflects many forms and understanding of freedom. Various personalities of the Czech cultural sphere have made their minute films.
The pre-Christmas period in a household with four small, temperamental children creates a comedy in itself. But when problems with the password lock are added to the confusion, the fun is guaranteed. A busy father of a family buys one of these ingenious gadgets. This invention is supposed to make it impossible for his children to constantly search for Christmas presents. The tense atmosphere and the interplay of random circumstances mean that even trivial problems begin to take on completely different dimensions in the mother's eyes. The previously trusting wife interprets her husband's chess training, mysterious phone calls.... And to make matters worse, the father forgets the password to the lock. Everything culminates when the wife discovers a present under the tree that was probably intended for another woman. However, the mysteries are not solved until New Year's Eve, when - surprise surprise - the mother-in-law intervenes in the story.
Theodora Remundová’s documentary portrait looks at Iva Janžurová’s dramatic and comedic roles in both film and theater, as well as the roles she has played in her family and in social and political life. The director (Janžurová’s daughter) has created a film filled with the truthfulness, sincerity, and capacity for self-reflection of a woman who has devoted her life to acting. The use of clearly staged scenes is combined with an openly acknowledged effort to avoid the kinds of clichés usually found in biographical documentaries to create an organic whole that provides an overview of Janžurová’s pivotal roles while also sharing highly personal and intimate moments from her life. Vít Kořínek (kviff.com)
Theodora Remund's extraordinary view of ordinary people.
Petr studies law in Prague, Jakub studies philosophy there. They are the best of friends until their holiday trip to Slovakia is crossed by a Romani young man named Imro. Imro is in love with Eržika, who is guilty of breaking an ancient tradition by breaking her vow of loyalty. The vow is the law. In a fit of jealousy, Imro kills his beloved. Two punishments await him. One from the majority "white" society, the other from his own Roma community. Petr and Jakub watch Imro's tragic fate from close proximity and their views on the matter of justice and punishment begin to diverge diametrically. The academic controversy eventually escalates into a fundamental conflict of life attitudes that almost destroys their friendship. Whose side is the truth on?
