Directing
Manoli and Fernando, a couple of communist ideas, want to live their love freely, fleeing from any bourgeois convention. At first, the couple rejects the help of her parents, but soon they will begin to give in and accept all kinds of comforts.
Spain, 1973. Dictator Francisco Franco has ruled the country since 1939 with an iron fist; but he is now a very old and sick man. The future of the weakened regime is in danger. Admiral Carrero Blanco is his natural successor. The Basque terrorist gang ETA decides that he must die to prevent the dictatorship from continuing.
A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.
No description available.
A chronicle of the life of Jaro, the leader of a juvenile delinquent gang, depicting his rise from street urchin to outlaw anti-hero on the way to his inevitable end.
The night of San Juan, Miguel murders his associate. Two elderly people are witness to the crime and predict that all of his dreams will come true thereafter. He will know the price he has to pay when he sees a black cat with a moon shaped mark on its forehead. Twenty-two years later a messenger begins to see all his dreams come true...
Obsessed with fantasies of sex, Father Miguel seeks professional help through his church but they are not listening; thus leaving the Father in a dilemma; leaving the church or should he try, on his own, to surrender to these temptations?
Roberto, a leader and follower of the ideals of his radical leftist opposition party, can’t resist the cheap beautiful street teenagers that are thrown his way for various pleasures.
Tres pescadores barbateños, Manuel (Pablo Carbonell), un hombre bueno al que apodan "Nadando con Chocos"; el Perra (Pedro Reyes), su amigo fiel, y El Cherif (Antonio Dechent), un paria iracundo y orgulloso, intentan sobrevivir como pueden a pesar de la crisis pesquera que vive la costa gaditana.Un dĂa ManolĂn (AndrĂ©s Rivera), el hijo de Manuel, llega a casa con un problema más: quiere hacer la comuniĂłn. Algo que provocará más de una sorpresa. Primero porque no está bautizado y segundo porque sus padres ni siquiera están casados. Contagiados por la ilusiĂłn de su hijo, MarĂa y Manuel deciden ordenar su vida y casarse. MarĂa lo organiza todo: arregla con el singular cura del pueblo (Paco Vegara) para que oficie la ceremonia, busca los trajes, invita a los vecinos... Pero claro, no hay boda sin convite. Y eso cuesta dinero. ÂżCĂłmo conseguirlo?
In 1946, an irishman joins a group of 'gancheros' (wood workers) while they drive wood thru the Tajo river, discovering human solidarity.
A young Catholic girl takes viewers through a changing Spanish political and social landscape as she develops from her confirmation day to adulthood. Her first experience with the real Spain comes when her Jewish godfathers cannot come to her confirmation. One of the godfathers, using a ring, poses an early challenge to her innocence that puts her in danger. He later returns, indirectly introducing her to a new boyfriend. If he is one of the symbols for Jewish life under Franco, or for a Judeo-Christian interaction, that interaction is complex. The young woman encounters different lovers as she grows into adulthood, but at the same time she is burdened with financially supporting her father and his own rather decadent lifestyle. Again, this difference in generations could be understood as a difference between the "new" and "old" Spain; it is up to the viewers to interpret the story elements as they decide.
Four kids get lost in the forest in the middle of a storm and go take refuge in an abandoned castle. There they will meet and face Dracula, the Werewolf, Quasimodo and Doctor Frankenstein. Despite the attempts of the monsters to scare them and, in passing, recover their lost prestige, the children, with the help of Count Dracula's son, will face the evil creatures.
How does the vision of the brilliant Spanish filmmaker Luis GarcĂa Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.
After of living in France for fifteen years, Lucas, a journalist with a dark past, returns to Bilbao, his hometown. He begins an intense romance with a young woman, but a series of circumstances will make the intimacy of the couple almost impossible.
A Spanish insurance company is absorbed by a multinational, so that, in order to modernize, its employees are obliged to carry out some training courses to adapt to the new situation and the new objectives. Given the relevance of what is at stake, the wives of these men will also be involved at work.
An ex-convict, troubled by dreams that he strangles women, is hired as the caretaker on an estate owned by three very strange sisters. Soon after his arrival, a serial killer begins slaughtering blonde, blue-eyed women - and leaving their eyeballs in a bowl of water.
Rafa and Jeromo are a curious couple of friends. Their friendship began in childhood as well as his love for Silvia, which have been in love since childhood. Silvia Jeromo elected, and Rafa decided to disappear. Years later he returns and finds that the couple is experiencing a serious emotional crisis...
Andrew returns to his hometown after a long absence. His father was a military high society who abandoned his wife to join the mother of Andrew, one cupletista second row. The reason for his return is to take over an old inheritance left him by his father: A semirruinoso house that is about to be declared a historic monument. But his desire to settle the matter soon are broken by the intrusion of his brother Ramon in buying the house. Andrés relationships with his family and with old attorney Don Dimas and her daughter Whitey complicated.
