Jerzy Radziwiłowicz

Bez tajemnic is HBO Europe’s Polish adaptation of the Israeli award-winning TV drama series BeTipul (In Treatment), part of a series of adaptations that also includes Romanian, Czech and Hungarian versions. It explores one of the defining features of modern society, therapy, as seen through the eyes of a psychiatrist whose professional and personal life is on the verge of collapse.

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A tough, stubborn and devoid of illusions cop in a story of love, hatred, death and human emotions, so strong that they push people to crime.

A story about the fate of two Krakow families, the action takes place in the years 1874-1914.

A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.

In 1974 a group of students declares what and where they plan to be in 1980, and the series follows their lives during those six years.

1982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.

A second trial begins in November 1975 against French left-wing revolutionary Pierre Goldman, accused of several armed robberies and the death of two chemists.

Russia, 1870. A group of young anarchist revolutionaries set out to overthrow the Czarist regime through violence. Their attacks create a climate of psychosis and mutual distrust among the population, but in reality, both revolutionaries and repressors are being manipulated by a diabolical individual.

A famous Polish journalist presents a problem for the powers-that-be when he displays his full political skill and knowledge on a television show featuring questions and answers on a world conference by a panel of journalists. His enemies take away his privileges when he is away. The shock of being "unwanted" parallels a deeper disappointment in his private life: his wife has an affair with a jealous young rival, and after 15 years of marriage and two daughters wants a divorce. She offers no explanations as he tries to untie these problems himself. All the moves he makes are the wrong ones. He takes on drinking heavily with students eager to attend his seminar after discovering the class has been canceled. The journalist, once suave and commanding, is reduced to silence.

Dagny Juell was the doctors daughter who left Kongsvinger for Berlin to study music, and became famous painter Edvard Munchs mistress and model. Than she ran into August Strindberg. They had a brief affair but after a couple of weeks Dagny left him for Stanisław Przybyszewski.

While shooting a film, the director becomes interested in the unfolding struggle of a young factory worker that has been laid off by a boss who did not like her union activities.

Tomasz, a doctor, and atheist, is diagnosed with cancer. His ex-wife offers him the money for treatment in Paris, but his lung cancer is past the operating stage. Facing imminent death, he questions the beliefs he has held all his life and starts experimenting with both his own life and those of others.

Two brothers are trying to find out the truth from years ago. The whole town is against them.

Katowice, the night of December 12-13, 1981. Military units occupy strategic points in the city. A group of Zomovniks, smashing union security, drags the chairman of the Company Commission of the NSZZ Solidarity in the Wujek mine out of his apartment. The news quickly spreads to the miners. Initially surprised, they soon react with spontaneous protest. On December 14, a strike breaks out at the plant. The miners demand the lifting of martial law and the release of the chairman. When negotiations fail, the army, ZOMO and militia storm the mine.

Accomplished playwright supervises the stage rehearsals for his new play away from home. He rents a room at a private house, which is owned by mother and daughter. Wiktor gets entangled in the two women's bizarre relationship.

In Warsaw in 1980, the Communist Party sends disgruntled radio reporter Winkel to Gdańsk to dig up dirt on the shipyard strikers - particularly on Maciek Tomczyk, an independent labour union leader whose father was killed in the December 1970 protests. Posing as sympathetic, Winkel interviews the people surrounding Tomczyk, including his detained wife, Agnieszka.

Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conceptual and image making process of the cinema.

After biologist Sylvie discovers her brother Paul trying to steal a gun from her lab, he explains that he wishes to avenge the death of their father whom he suspects died at the hands of his business partner.

How was it possible that a single man influenced contemporary world so significantly? This film is an attempt to capture the phenomenon of a common man’s metamorphosis into a charismatic leader — an attempt to see how a Gdansk shipyard electrician fighting for workers’ rights awakened a hidden desire for freedom in millions of people.