Gennadiy Ivanov

Another planet in the period of medieval times. An employee of the institute of experimental history from Earth, who is send under the name of noble don Rumata of Estor as a spy with a mission to contact the local resident of the institute, arrives in the city of Arkanar. But the resident perishes under an unlucky attempt to make a palace coup, and Rumata have to take his place as the resident. Soon he meets all the horrors of the medieval society - a peasant war, palace coups, mass executions. To continue to be an indifferent watcher of all these horrors turns out to be simply impossible...

The story follows Maria Konovalova who travels from her rural village to visit her daughter Nina in the city. Maria's arrival exposes the stark contrasts between rural and urban lifestyles and reveals deep-seated family tensions. Interestingly, Родня (Rodnya) in Russian sounds very similar to the word Родина (Rodina), which means "Motherland." The film features three generations of women — Maria, her daughter Nina, and her granddaughter Irina — symbolizing three different Russias: one from the past, one modern, and one representing the future.

A young musician falls for a mobster's young mistress.

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

On a summer day in late 19th century Russia, a group of bourgeois friends and acquaintances gather at a dilapidated country estate.

The film follows two student cinematographers who, as the war approaches Moscow, refuse to be evacuated and instead volunteer to be front-line cameramen capturing the horrors of war and heroism of the soviet soldiers. At the same time, we witness another storyline taking place in the US. After the premiere screening of the already completed documentary “Moscow Strikes Back”, one of the members of the Academy Awards selection committee is trying to persuade his fellow colleagues to establish a new category of Best Documentary in the upcoming Oscars event.

Central Russia. The deputy chairman of the district executive committee, Tretyakova, was instructed to organize work to eliminate the consequences of a tornado that suddenly hit the village. She has to come to terms with the indifference of summer residents from a neighboring village, untouched by the disaster. Relying on her own experience and the will of the victims, Tretyakova will do her best...

The plot of one of the brightest, mysterious and extraordinary works of the 30th years of the last century "The novel with cocaine" (the author M. Levi, a pseudonym M. Ageev) which has gained really world recognition is the basis for the script of the movie. Between heroes of the novel and movie almost century whether and a lot of things have changed during this time in human essence? This movie how shouldn't be. But from century to century repeats.

Sex, alcohol and violence define the people of a city in defeat in this downbeat drama from writer and director Katya Shagalova. As a teenager, Nastia (Yulia Peresild) was the star of a popular television series, but now her career is in decline and her father, an officer in the Russian army, has kicked her out of the house.

Comedy with elements of the absurd about the absurdity of life, unfulfilled dreams and the mysteries of the Russian soul. The unfortunate Bit about that is after he kicked his wife and threw favorite, decided to be a dwarf and live under the gas stove.

A screen adaptation of Anton Chekhov's play about three sisters yearning for a better life.

The rat lives in a cage that stands in the room of a large communal apartment in which the poet lives. The apartment is in the house; House - in the yard-well; The courtyard is in the city; And in the courtyard - 1939 ...In the film there are many newsreel frames of those times, the sound series contains both popular and propagandist songs, both Soviet and German. The plot is divided into many unrelated episodes, which are colorized in different colors. The author claims that everything shown should be understood outside of symbolism: everything in the film means only itself.