Sébastien Cros

Pauline has her own way of doing road safety: as a trainer in a point recovery center during the day, she becomes a serial killer of drivers at night.

The legendary Palmashow series is back! Have a wonderful and hilarious summer thanks to the unmissable sketches from the duo Grégoire Ludig and David Marsais.

Founded in the second half of the 1990s, the experimental film association L'Etna witnessed the transition from film to digital cinema. Its premises, located in the heart of Paris, were unable to withstand gentrification.

Two brothers find themselves on their childhood island. Together, they will cross a path of reconstruction. This path, consisting of escapes and dreamlike visions, will make a new relationship possible.

Aphasia is an unsettling inquiry into the representation of violence and the violence of representation. This documentary gesture explores how collective crimes keep being repeated and reflects on social and political constellations, unfolding constructions behind nation-states and national identities.

A suite of urban deserts scratches and cracks over and over at each screening. A breach of light opens and closes on mnemonic traces. The alternation of the film is done directly on the spot, the representation of the image is in perpetual confrontation.

The macula is commonly known as the yellow spot, located near the center of the retina at which visual perception is the most acute. A photosensitive body rises from shadow to burn out in light.

A moment in the universe: a few seconds up there in space, a few minutes down here for a man, and how many for the plant that looks at him. Little by little, these three paths mingle and merge, plunging us deep into matter.

Tabula Rasa is the second chapter of a three part project, where its central element, which follows Nocte, is a performance continuing the same plan: a double screen where images of a black and white reel unwind and a third beam where matter is invented for every projection. An imaginary journey throughout Europe tracing cartography of the ruin, a melancholic voyage through time, a look at fingerprints and trace, absence, stone and dust. To experience the silver film as wall experiences the passing of men and time, in search of fracture, a breach where only it survives, among the ashes and the debris, a blind light wave travels a wasted land. There is no bond that time does not erase.

In Paris’s Goutte d’Or district, Malick skates all day long. Confronted by his daily life, he dreams of escaping to America. His father once told him the story of Abu Bakr II, the African king who discovered America. This king who crossed the Atlantic will change his perception of life.

A film poem filmed at Antwerp Zoo echoes diasporic voices of displacement. The work is inspired by the writings of W.G. Sebald, who offered an alternative model of memory through intertextuality and a metonymical narrative technique.