Acting
Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.
CIA officer Carrie Mathison is tops in her field despite being bipolar, which makes her volatile and unpredictable. With the help of her long-time mentor Saul Berenson, Carrie fearlessly risks everything, including her personal well-being and even sanity, at every turn.
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Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.
Freya Becker is a typist with the homicide division of the Berlin police. Freya’s daughter, Marie, disappeared 11 years ago without a trace, and Freya is determined to uncover the truth, whatever the cost.
When the young start-up TINGLE is affected by the shutdown, the already smouldering conflicts between the founders FRANZI, JONAS and MARILU break out.
Against the backdrop of New York's dazzling fashion scene, a woman in the process of transforming herself from a model into a designer is forced to live with her husband's ex-wife when he disappears without a trace.
Three siblings have all reached a point of their life, at which they realize the need to quickly change some things before they step into the second half of their lifetime. In the midst of chaos, insufficiency and loss they are searching for the path that just might lead them to happiness.
Full of Fire is a modern musical about Moas artistic longing to create and her search to belong.
Hamburg, St. Pauli, New Year's Eve. Oskar Wrobel runs a music club in an old hospital at the edge of the Reeperbahn. While fireworks go off in the streets of St. Pauli, he prepares the big final party - the club has to close. Thankfully there is no time to think about it because the chaos is breaking into his living room, all while hell break loose at the club. The film, based on the novel by Tino Hanekamp, was filmed with hundreds of extras attending a real-life three-night-long party.
Henry is usually hungover, even more often in a bad mood and rather an imposition as a death assistant. His caring attitude towards his clients is hidden under a very rough exterior. Rebecca, on the other hand, is good-looking, provocative, young and has a brain tumor. She is Henry's latest client and declares it his task to accompany her to a really wild party on her last night. When Henry wants to induce her death the next day, Rebecca has changed her mind. Death should wait, instead she wants to go to a miracle healer in some mountain village and Henry should take her there. There's no point in refusing, Rebecca has nothing to lose and she asserts herself ruthlessly. Pursued by Henry's colleague Benno and Rebecca's husband Daniel - whose existence she has stupidly not told Henry about - they embark on a crazy trip full of absurd encounters that take more out of Henry than he could have imagined.
In a tranquil village, the two students Kerstin and Selina disappear one after the other. Both are 16, have unstable parents and were undergoing therapy at the “Herzland” riding stable. While the residents don't believe there was a crime, Julia Durant suspects the kidnapper is among them.
Not everyone deserves a second chance. The experienced investigator Wallat is sure of that - and certainly not the child murderer Hagenow, who is released after 15 years in prison, although he is still considered dangerous. Wallat takes over the management of an LKA team that monitors the potential repeat offender. His "unofficial" assignment does not fit into any service manual: Wallat is supposed to catch Hagenow in the act - in good time, of course - in order to put him behind bars forever. Meanwhile, the ex-convict moves into a room in the house of the idealistic village pastor Berkenbusch and starts a job at the local sawmill. The LKA team serves him around the clock. When Wallat loses sight of him during a night walk, a nightmare begins the next morning: Max, the eight-year-old son of Berkenbusch's housekeeper, has disappeared without a trace
