Simone Gallo

Aria and Tommaso, childhood best friends, find themselves at the same high school after years of being apart. Together again, they turn a game they used to play as kids into a competition that will help them overcome their insecurities, make new friends, and... fall in love.

Elba island, 1814. Martino is a young teacher, idealist and strongly anti Napoleon, in love with the beautiful and noble Baroness Emily. The young man finds himself serving as librarian to the Great Emperor in exile, whom he deeply hates, yet soon begins recording Napoleon's memoirs, getting to know and learning to value the man behind the myth. Among seductions and affairs, expectations and fears, he will craft a precise portrait that nevertheless will not manage to hide a final, inevitable, disappointment.

A tour guide and a failed actress accompany four inmates to the Pollino massif, in search of the centuries-old Bosnian pine, a symbol of resilience. The journey quickly becomes a journey of transformation, filled with encounters and changes, punctuated by a music that takes shape step by step, becoming a collective voice capable of bringing together diverse bodies, emotions, and stories. In a harsh yet beautiful landscape, punctuated by unexpected solidarity, fragments of complex lives emerge, along with open wounds and a profound need to be seen and heard. Talking, singing, and naming what has been experienced becomes a way to release tensions and rediscover a sense of belonging, at least until a sudden event calls everything into question. Because, sometimes, sharing one's story is already a first step toward something bigger.

Friedberg/Seltzer-like spoof about popular Italian teen romance movies of the aughts (such as Tre metri sopra il cielo, Come tu mi vuoi, Ho voglia di te, Notte prima degli esami, Melissa P., etc).

Antonio, a filmmaker running out of ideas, has a vision of the city's patron, St. Nicholas, who asks him to make a film about his true story. So Antonio sets out on a journey in the myth's footsteps, crossing all the countries where the saint is revered. Turkey, Belgium, Holland, France, Russia, all the way to the United States, where he is better known as Santa Claus, i.e., Santa Claus. A journey in the midst of a melting pot of popular cultures and traditions, with all their contradictions, a journey through colors and religious rigor mixed together giving life to a sacred figure who is, at the same time, a consumerist model.

Enzo and Monica, two engaged thirty-year-olds from the outskirts of Naples, lead a life of routine until Enzo makes a sharp bet at the illegal lottery, thanks to which he wins a trip offered up for grabs by the criminal who runs the game. The journey turns out to be an experience somewhere between comical and traumatic, because Enzo and Monica are like two fish out of water in all the contexts in which they find themselves. Even more traumatic, however, is their return to Naples: their trip was wanted by an American laboratory for an anthropological study, which will transform them, despite themselves, into stars.

As the Christmas holidays approach, Don Donato, now a cardinal, is called back from Rome to assist his uncle the bishop. The latter, in fact, requires constant care.

A lawyer prepares for his wedding while his brother becomes a funeral planner.

John and Beatrice are a Fresh young wedding couple: he aims a brilliant career in the hotel A dove Works Company, she leads with ease of Success A radio transmission. Their Dream of Having a baby is realized very soon, but it carries with it considerable troubles: mood swings, hormonal upheavals, inevitable intrufolamenti Parenti, worries about the future. Everything is Changing. The Physical and psychological changes of torque, the power supply, Fears, EXPENSES, sex, continuous visits, clothing. What should fare? The newlyweds will face New Condition Spaesati In "comedy" that this happy event genres.

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