Jörn Hartmann

Gudrun has modeled her amateur German terrorist group after the 1970s Red Army Faction (Baader-Meinhof Gang). She attempts to imitate her heroes by kidnapping the son of a wealthy industrialist and hopes to negotiate leftist demands from the father. When Gudrun’s not spouting leftist verses (including during a hilariously brilliant fuck session), she’s trying to convince her all-male gang to abandon their heterosexuality, which she believes is the result of mass delusion.

In Ger(wo)many, when an army of radical females is preparing for a final revolution and a utopian world without men, a young male soldier arrives seeking refuge at the convent.

It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.

With things growing a bit stale in the bedroom, lesbian couple Claudia and Dylan agree to seek sexual experiences outside their relationship. Dylan discovers new pleasures at a sex club, while Claudia, in drag as Claude, finds a surprising partner.

On her way home from school, primary school pupil Biggi decides to treat herself to a bag of surprise goodies. However, the bag contains a great deal more than the sweeties she had bargained for: in it she finds an ear that can hear people.

Karin Hoehne is a retired teacher living in Berlin - Haselhorst. On her way to meet her best friend Rosa Brathuhn she involuntarily witnesses a horrible murder on a passing train. A young woman gets chopped up by an ax murderer. Sadly the police, in particular exchange commissioner Rock Milchester, thinks that she is a slightly senile old lady, especially because no corpse was found. So what else can she do but to try to solve the case on her own. Rosa is quickly persuaded and off they go... A first clue is found next to the tracks. It leads Mrs. Hoehne to the salon of the master of hairstyling Horst Brueller where Miss Gisela Drache runs a strict regime. In spite of her age Mrs. Hoehne starts as a trainee and not only diva Veranda Strunzig-Lopez is quickly convinced of her talents, Horst Brueller and his silky lover Bruno as well. A poisoned wig and more bodies indicate that Mrs. Hoehne follows the right lead.

UKI’s storyline unfolds as we follow a defunct replicant REIKO dumped on Etrashville - a vast dump for tech - who tries to pull themselves back together with the help of Etrashville's transgenic inhabitants. Parallel to REIKO’s trajectory is that of an infected city where we are made aware of the reckless schemes of the biotech enterprise, GENOM Co.

In the garage there's heavy traffic! Every chance they get the oil dripping mechanics pump their pistons... on the hood, on a Harley and on the highway! Dudes under high pressure who fuck everything to pieces!

Summer in the south of Europe. Young hunks with rippling muscles and twitching cocks. They don't want to lay in the sun. They only want one thing: SEX-SEX-SEX.But on this fantasy island, fetching young men also disappear, never to be seen again. Florian and Patrik happen upon the house of the mysterious Raphael and his spunky brothers. The suspicion dawns on Florian that something very awful is afoot. Do the brothers have something to do with the kidnappings? Are the victims being thrown to the hungry houseservant in the dungeon at the bottom of the Villa? Watch and learn the gruesome, sperm-soaked truth.

An extraterrestrial zombie, whose appearance constantly shifts between that of a corpse, a tusked beast with irregular genitals, and a normal man, emerges from the sea, and begins making its way to Los Angeles.

Expect a typical prison film and you're on the wrong track. Cazzo's newest buddy film plays not behind bars, but on the run. Two horny convicts are chased across open country by the police. Cuffed together hand and foot they make their get away, bound so close by their chains they can barely run, let alone have a moment of privacy.

Both sexy and funny, director Jörg Andreas' "Heartbreak Hotel" is a tale of husband swapping that is unlikely do anything for the gay marriage fight, but its huge dicks and swirling cum-shots make it a sumptuous place to dwell. As the credits roll, beaus Mats Riem and Peer Nagel exchange rings and marry each other, so do Felix Groth and Kai Marsden, and David Chelsea and Anthony Spell, and Tony Vella and Marco Rochelle, and then Norbert Thorm and Christophe Blanc. After the nuptials, they're off to the hotel for their honeymoons.

A gathering of seven fisters over 60 who join the club. The entering of fist is uplifted into a rite of passage, leading to mutual trust and reciprocal sexual pleasure. Raise up the fist, we claim fisting sex as an act of self-emancipation, an affirmation of collective empowering.

Short Movies by Jörn Hartmann