Antonio Bellia

Peppino Impastato is a quick-witted lad growing up in 1970s Sicily. Despite hailing from a family with Mafia ties and living just one hundred steps from the house of local boss Tano Badalamenti, Peppino decides to expose the Mafia by using a pirate radio station to broadcast his political pronouncements in the form of ironic humour.

In 1990s Palermo, Pino Puglisi is a priest from the neglected Brancaccio neighborhood dedicated in helping kids to get off the streets and creating an embracing place of hope and solidarity in his church, which means trouble for the local Mafia. He continues his solitary fight until the bitter end.

This documentary follows two Congolese refugees who settled in a Sicilian coastal town that holds an annual fest for San Calogero, the "Black Saint".

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The story of this documentary unfolds between 1954 and 1975, years during which Vittorio Nisticò was the head editor of the newspaper L'ORA (The Hour). Nisticò's words, interpreted by Pippo Delbono, make up the body of the film: on one hand, the battles against the powers and interests intertwined between the mafia and the political world, during a historically transformative time for Sicily; on the other hand, the generation of intellectuals and artists, including characters such as Sciascia, Consolo, Dolci, Guttuso, Caruso, all taking on the struggle of becoming interpreters for this social and civil shift, and choosing this small, daily publication from Palermo as the main channel and instrument of this great challenge. In a few short years, the newspaper becomes a beacon in the fight against the "mafia mentality". Nisticò becomes a master of journalism, and L'Ora a great school, a "news factory”.

Silvio, One of us, shows the current political mood in Italy and through some portraits investigates the phenomenon of how far Berlusconi and his politics mirror Italy.

Technical test on the apocalypse in Palermo. There are some men in a cave while we hear explositions outside, far away. Perhaps a war, which nobody knows about. Some of the few survivors move on a desolated and uninhabited land. Images of cemeteries and deserted landscapes pass by, while the survivors start behaving absurdly like animals.