Arghyakamal Mitra

Whenever love leaves, it leaves traces. Those traces cling on to old times and familiar spaces.

Amal works as a security guard in a mall and is tempted by the world of wealth surrounding him. When a close friend introduces him to the underworld element, he becomes trapped in a web of greed, lust and crime.

Prem Tame is Pablo's (Soumya Mukherjee) journey from giddying puppy love to falling in love with a puppy.

Taan is a women centric film centered on the water prostitutes or Jal Baishya who live in the remote areas of underbans and are abducted and exploited by traffickers living along those ...

Tired of the corrupt Communist regime and its policies, a group of flying humans and black magicians join forces to hatch a conspiracy and wage a guerrilla attack against the totalitarian government and overthrow it.

Tells the story of two lovers, separated by destiny, who meet again one day. This encounter allows each to realize the truth about the lives they are living.

A high-profile Bengali businessman gets murdered in Puri, leaving more death and the unveiling of many dark secrets in its wake. And when the suspects become targets, family and friends turn into foes in Murder By The Sea.

A retired judge, Mr. Sen, living in a farming colony on the outskirts of Calcutta, contacts Byomkesh Bakshi to investigate an attempt to blackmail him. One day, the judge is found dead under mysterious circumstances, and Byomkesh takes up the case.

In the neon-lit streets of Kolkata, a woman searching for redemption crosses paths with a mysterious bar singer whose past remains hidden. Over the course of a restless day, their lives intertwine with strangers carrying their own conflicts and secrets, until a buried truth changes everything.

An existential playwright and novelist Isha reads her novel to her partner, Agnibha, who is a ruthless critic. While in the middle of the reading, Agnibha presents his critical viewpoints, which initiates a discourse between them and unveils the cobweb of complexities in their love-hate relationship. Agnibha suggests a different ending to Isha's story. Will Isha understand Agnibha's point of view and change the ending of her novel? or Will this lead to more complexities in their lives?

A young filmmaker prepares for the debut of his first feature film.

A young detective enthusiast follows in the footsteps of legendary Bengali sleuth Feluda when a decades-old mystery resurfaces during Durga Puja, testing his skills against a puzzle that once stumped his hero.

A young director listens to a hilariously scary story narrated by a stranger, where a group of ghosts try to save the only place they can haunt in peace.

‘The Golden Wings of Watercocks’ is a feature film based on the lives, livelihoods and battle for survival of the marginalized peasants and landless farmhands, living in the haor (marshland) areas of Bangladesh, who are historically trapped in poverty formed by the confluence of social exploitation and climate injustice.

Mr. Rafiq is given an option to develop the ancestral property by a privet developer agent. The house carries the style of typical historic buildings of old Dhaka; which are being pushed aside by urban modernization. With the decision hanging, Ruba, his daughter, leaves her husband in the US and returns to Dhaka. The cause being her husband's excessive misbehave. Ruba tries to find peace in her memory soaked old home but could not as the decision to reconstruct the property is discussed and debated over and over again. Another character, Soleman, obedient servant of Mr. Rafiq becomes irritating to Ruba since he has a rivalry with the local power holders. As Ruba seeks her memories in the home, she occasionally watches a man on a neighboring flat. The man notices this. With the man's efforts they finally get to be friends. But the orthodox mindset of the father desperately looks for ways to stop the developing relationship or perhaps a new hope for Ruba.

A bilingual satirical comedy about the seven-year itch of a married couple, and how their life turns topsy-turvy with the entry of what seems to be an ordinary pair of antique sunglasses.

A group of ghosts are rendered homeless as all the old haunted buildings in Kolkata have been converted into multi-storied buildings, malls and multiplexes. Some of them, from varied social-economic background, take shelter in an abandoned, dilapidated single-screen theatre, planning to make themselves relevant and fit for the future as contemporary ghosts.

One night, the newlywed Romita is molested by five men until Jhinuk, a teacher, helps save her. But even after the incident ends, the two women are faced with several hurdles.

In late 19th Century, Bengal Bhubaneswar Chowdhury (Jackie Shroff) is a wealthy and tyrannical Zamidar (Squire). He has two main obsessions: his desperate attempts for an heir, which even his new second wife Jashomati seems unable to deliver; and competing with his regional rivals to produce the most magnificent effigy of a goddess for the annual Durga Puja ceremony. This year he concocts a master plan - why not change the face of the goddess for the most powerful woman on Earth - Queen Victoria. Meantime his two wives Mahomaya and Jashomati try to look out for one another especially as Bhubeneshwar begins to sexually assault his younger wife each night. Traumatised and lonely, Jashomati is dangerously drawn towards the youthful sculptor who has been employed to create the great effigy of Durga, Goddess of destruction.

Byomkesh, a detective, stumbles upon a case of robbery while recuperating from a prolonged illness. With the only object to be stolen being a group photograph, he attempts to solve the mystery.