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Cem Kaya

Cem Kaya

Directing

Biography

Born in Schweinfurt, Germany in 1976, he studied communication design in Stuttgart and worked first as a producer, editor and director of commercials and music videos before moving into documentary. His film Remake, Remix, Rip-Off, about the Turkish Yesilçam film industry that remakes Hollywood blockbusters for the domestic cinema market, premiered at Locarno. He is also a cinematographer and worked with others filming the investigative documentary 77sqm_9:26min, about the reconstruction of the NSU murder of Halit Yozgat, which premiered at documenta 14.

Known For

Love, Deutschmarks and Death
8.1

Cem Kaya’s dense documentary essay celebrates 60 years of Turkish music in Germany. An alternative post-war history that is at the same time a musical Who’s Who – from Yüksel Özkasap to Derdiyoklar and Muhabbet.

Love, Deutschmarks and Death

2022
Remake, Remix, Rip-Off: About Copy Culture & Turkish Pop Cinema
7.1

Turkey in the 1960s and 1970s was one of the biggest producers of film in the world. In order to keep up with the demand, screenwriters and directors were copying scripts and remaking movies from all over the world. This documentary visits the fastest working directors, the most practical cameramen and the most hardheaded actors to have a closer look into the country's tumultuous history of movie making.

Remake, Remix, Rip-Off: About Copy Culture & Turkish Pop Cinema

2019
The Illegal Film
N/A

Since time immemorial, we have used images to form a picture of the world. But never before has there been as much filming and photography as there is currently. But how do people deal with it when the world and its image merge? The filmmakers Claus Wischmann and Martin Baer show how quickly and profoundly the way we deal with images is changing. Will we eventually move into a world in which reality and image can no longer be distinguished from each other?

The Illegal Film

2019
Arabeks
N/A

Turkish arabesque, with its bitter, fatalistic, and reproachful lyrics, first emerged as the rebellion music of the slums during the industrialisation era following the establishment of the republic. With the cultural destruction of the 1980 coup, it became a music genre for the masses. The film features pioneers of the genre, such as Orhan Gencebay, Ali Tekinture, Muhtesem Candan, and Burhan Bayar, who explain the birth of this cultural-musical phenomenon, while its evolution is interpreted by Ezel Akay, Kadir Copdemir, Haluk Cobanoglu, and Serhat Koksal. The soundtrack was selected from a wide range of venues, from beer houses to high-end restaurants, from amateurs to well-known producers.

Arabeks

2010
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Kebabträume

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The Cold Plate

2003
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Do Not Listen!

2005