Tony Klinger

Through concert performances and interviews, this film offers us a comprehensive look at the British pioneer rock group, The Who. It captures their zany craziness and outrageous antics from the initial formation of the group in 1964 to 1978. It notably features the band's last performance with long-term drummer Keith Moon, filmed at Shepperton Studios in May 1978, three months before his death.

Roger Glover puts on a star-studded concert at the Royal Albert Hall for his concept album "The Butterfly Ball and the Grasshopper's Feast".

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A documentary celebration of the 50th anniversary of British pop-noir classic 'Get Carter'

"EXTREMES" covers the whole gamut of present day human behaviour, from carefree pop fans bathing nude at the Isle of Wight to withdrawn, pathetic junkies hastening their own deaths with hard drugs. Such is the range encompassed by the so-called "permissive society", doubly significant because it usually involves young people who have either never known discipline or are rebelling against an overdose of it. They can't change society so they have no alternative but to drop out from it. In some of the most natural and remarkable film footage ever obtained, Tony Klinger and Michael Lytton have captured a unique cross-section of them going their chosen ways, and talking freely and frankly about doing so. Nothing was pre-arranged, nothing rehearsed: everything was filmed as it happened. Hippies, homosexuals, junkies, Hell's Angels, alcoholics, drop-outs - all fall into the category of nonconformist minorities.

Hank's just an ordinary guy trying to get his wife pregnant, when his mother-in-law shows up and threatens to ruin everything.

This is a documentary feature film about the phenomenal life and career of Tony Klinger's father, the legendary British film producer Michael Klinger.

A 5 song concert filmed at Budokan Hall on December 15th, 1975.

Mark, a racist womaniser, suffers a fatal accident and finds himself in heaven confronted by St. Peter, who gives him a choice: “change your selfish, racially prejudiced ways or your life ends now!” Mark accepts and returns to the land of the living, accompanied by well-intentioned and sarcastic angel Evan, who is in fact his own conscience. When Mark’s company is taken over by Jasmine, he pursues her, trying to convince her he’s changed and that his love for her is genuine. Is Mark really a better person or is everything just an illusion being played out in Mark’s head as a result of his accident?