Katja Kittendorf

Die Pfefferkörner is a German television series produced by Der Kinderkanal. The peppercorns are five friends from Hamburg: Jana Holstein Coutre, Natasha "Tascha" Jaonzäns, Philip "Fiete" Overbeck, Cem Gülec and Vivien "Vivi" Overbeck, Fiete's eight year old sister. After school, the young detectives meet at a high level of a spice warehouse of the company Overbeck & Associates, which belongs to Fiete and Vivi's parents in the first part, but is later given to Fiete and Vivi to look after. Here, in the historic warehouse district, the five friends have their headquarters. With smarts, combined delivery and support of the Internet, they find their cases here. The detectives convict polluters, animal dealers and drug smugglers. They also help each other with personal problems they encounter. Cem has lost his parents in a car accident and sometimes feels sad and lonely. Jana lives with her divorcee mother, a lawyer who is rarely at home. Natasha comes from Latvia. Her parents initially have very strict rules in terms of her education, that make Natasha unhappy. Fiete has problems showing his feelings and hides them behind grumpiness and hostility towards girls, until he falls in love with Natasha. Vivi is suffering from her role of the youngest member of the group. She believes that she must constantly struggle for recognition.

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Nina (38) loves her little family and is passionate about her job as an architect. When she returns to work after parental leave, she is able to save the office from bankruptcy with an ingenious idea. The only catch: she has to pretend to be single and married to her work. Nina gets no help from her husband Torsten (38) because he sees her dream job as a threat to the family. In desperation, Nina pretends he is her brother and secretly hires granny-for-hire Irmgard (70). Between lies and success, Nina's life picks up so much speed that she soon can no longer find the emergency brake.

16-year old Steffi just graduated from high school and is very much looking forward to her class trip to Paris where she has promised her boyfriend Fabian the romantic night that she has kept him waiting for so long. Her lifelong plan to join the police forces is already set up, her adult life is right around the corner. At a routine health check-up, just before the trip to Paris, Steffi and her parents are faced with a shattering diagnosis ...

Albania, 1958. Luana, the daughter of a well respected man in the village, makes friends with Agim, who moved here after his family were banned from the city by the communists. Years later, their childhood friendship turns into teenage love, but without prospects. Luana’s father promised her in marriage to someone else when she was a child. When her father finds out about Luana and Agim’s love, he is furious and immediately arranges for his daughter to be married to the man he chose for her. Luana faces a dilemma: to flee with her lover to Germany, risking being caught by the communists and probably killed, or stay loyal to her family. A poignant love story set in dark times shaped by pressure from old traditions. A deeply human tale about freedom, which is the greatest good even if the price is loneliness.

The film starts with the main character Laura, a young woman with advanced cancer, entering quite upset the home of her parents and claiming to have stopped chemo therapy and having left her husband. The worried parents call the other three adult daughters into the house and they arrive one by one. For the first time in 6 years the entire family is united again. The characters are drawn as tensions rise from old conflicts and as the situation sinks in that Laura might be terminally ill. The movie eventually shifts from a lively sometimes comical beginning into the serious theme of dying and does handle this quite tactfully and moving. While the film touches on many areas surrounding death (including religion, graveyard, care, eutanasia) the main focus is on the transformation of the characters that are thrown out of their busy lifes into this situation, eventually accepting it and dealing with it.

Completely burnt out, without a job or prospects, but with her son Theo in tow, Olga has to bury her high-flying big city and career dreams and seek shelter with her parents back in her home village in her early 30s. While mother Lilo is happy to have the two of them with her, Holger continues to punish daughter and grandson with stoic disregard. Holger cannot forgive Olga for refusing to take over her parents' farm, breaking off her engagement to the young farmer Nico head over heels and simply moving to the big city.

Barbara Köster is suddenly alone: her baby daughter Leonie moved out when she was eighteen, as did her husband Walter years ago, who left the family for a younger woman. At 58, Barbara is left alone - alone in a house that is too big for her, alone in a job that doesn't fulfill her and alone with the stale feeling that she has missed out on something in life.

Criminal psychologist Cathrin Blake is called to an emergency in the middle of the night: A young woman is threatening to throw herself to her death from a high-rise building. Cathrin knows the disturbed woman – Moon Flynn was in therapy with Cathrin a few years ago for a borderline disorder, but stopped it prematurely.

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Helene is forced by her wicked stepmother Gertrud to do works impossible to done. When she builds a castle for her with the help of the fairy Cleo, there is only room for Helene, in the cellar. One day, Prince Lassmann ride near the castle.

Will Milla and her friends be able to save the seal "Knopfauge" and the seal station from the greedy Hajo Ehlers? Ironically, Ehler's son Henry, whom Milla knows from school and doesn't like, turns out to be a great help.

It is a compilation of episodes from season 9. The two parts of the feature film include episodes 105-117.

Again, the unemployed zookeeper Günther and the discarded salesman Wolfgang are looking for their great luck. Therefore, they get the help of a young man who, due to his autism, has extraordinary skills at the roulette table.

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