Lindsay Blair Goeldner
Production
Biography
Lindsay is a film producer and karaoke enthusiast based in Toronto. After completing the Producer Lab program at the Canadian Film Centre in 2019, she teamed up with fellow Producer Lab alumni Shant Joshi to join Fae Pictures as the Director of Production. She is currently lead producing and providing production oversight to several projects including a drag queen coming-of-age story Queen Tut (dir. Reem Morsi), feature-length art documentary The Archivist (dir. Tricia Hagoriles), two episodic dramedies Streams Flow from a River (dir. Christopher Yip) and Degrees of Separation (dir. Eva Grant). Her previous credits include There’s No Place Like This Place, Anyplace (Hot Docs, CBC), Learn to Swim (TIFF), Death Valley (Fantasia, Tallahassee) and Salmon Pink (Popcorn Frights, FilmQuest) among others. In September 2022, three of her films will have world premieres at the Toronto International Film Festival including the short thriller Diaspora (dir. Tyler Evans), trans-led drama Scaring Women at Night (dir. Karimah Zakia Issa), and video store coming-of-age feature I Like Movies (dir. Chandler Levack). When she's not on set or at a karaoke night, you can find her recommending movies on TikTok: https://www.tiktok.com/@lindsaysonline
Known For

Socially inept 17-year-old cinephile Lawrence Kweller gets a job at a video store, where he forms a complicated friendship with his older female manager.
I Like Movies

Upon the loss of his mother, an Egyptian teenager leaves his home of Cairo to live with his father in Toronto. Parachuted into the underground queer nightlife in Toronto, he confronts his mother's death, much to his father's disapproval, by taking up the ways of drag and becoming Queen Tut.
Queen Tut

In a black suburb, a couple begins to notice that their neighbours are disappearing and white people are moving in. They soon discover something much more unpalatable.
Diaspora

Over the course of over six decades, Honest Ed's became a Toronto Landmark. The neighbourhood it left behind when it closed its doors in 2016 reflects on its history and legacy.
There's No Place Like This Place, Anyplace

It’s New Years' Eve 2080 and Earth is uninhabited. A new-age radiologist travels from outer space to practice yoga in front of a desert sunset when an earthquake hurls her from a cliff.
Death Valley

Toronto jazz saxophonist Dezi Williams is withdrawn from his band and tries to spend his days in solitude as an instrument repair technician, but is haunted by his memories, a mounting pain in his jaw, and an intrusive new neighbour.
Learn to Swim

When Ayaan becomes a temporary caregiver for his grandmother, they find themselves adrift in the gulf of a language barrier. In the silence, specters of a colonial past shift how he sees strangers and himself.
The Curfew

When Mickey, Kara, and Maeve learn that their friend Bronte may have lost her virginity without her consent, they begin to blur the lines between justice and revenge in attempt to claim their autonomy.
Salmon Pink
Thee girls driving through a wooded area soon find themselves fighting for their lives after running into something on the road.
Last Breath
A 20-year-old drama student is cast in the lead role of an India-set adaptation of “Hamlet.” Pushed by an exacting director to pour her grief into the performance, she is simultaneously visited by the ghost of her deceased partner, who carries an impending climate prophecy. Torn between artistic ambition and institutional abuse, she must find a way to contend with both.
Suffering Is Optional

Two strangers are scared on a late walk home. As they try to escape one another, their worlds collide at an intersection forcing them to question who they’re afraid of and why.
Scaring Women at Night
Misha's only daughter, June, is very sick. After five days at home, June's school reports her absence to the state, prompting agents from the Bureau of Order and Safety to investigate the nature of June's illness.