Acting
Newly out of prison after killing his boss' rival, Akio Maki is eager to move on and start a new life with the boss' daughter. However, the chains of the past are not so easily broken and Maki is soon ordered to kill again.
A celebrity, dissatisfied with his personal and professional lives, impulsively leaves fast-paced Tokyo to deliver a much-needed jeep to a remote village. When his controlling manager, the woman he loves, follows, the two must reconcile while dodging reporters.
1967 Nikkatsu film.
Goro had grown up in the yakuza world. As an active member of the Mizuhara family crime syndicate, he expressed his loyalty by always putting himself in the forefront of every battle. Violence never bothered him. However, after being sentenced to three years in prison for stabbing a rival gang’s hit man, he becomes disenchanted with the Yakuza life style. Goro is determined to start anew, but karma catches up. His two closest friends are murdered by his ex-boss. He is left with two options: to kill or be killed.
A high-school vigilante protects his community from the extortions of mobsters from a neighbouring city.
Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.
Mitsuo Hayama, who is preparing for his entrance examinations, secretly plans to take a trip with his classmate Akira, alone and undisturbed. Noriko learns of the trip by chance and tells Mitsuo and his friends that she will join them, and they reluctantly agree. However, on the day of the trip, Akira suddenly decides not to join. Mitsuo and Noriko, a man and a woman, begin their journey together.
1965 Nikkatsu movie.
Goro has always been a lone wolf. When he arrives at an industrial city in Keihin, there is certain restlessness in the air. The Iriezaki family and the Kanto Touyu-kai were in the midst of a territorial dispute. Goro was quick to notice, but had no intent to take sides. At a department store nearby, he sees an elevator lady being harassed by a couple of hoodlums. Goro decides to intervene. Unbeknownst to him, the hoodlums are Touyu-kai members – and the girl has strong ties with the opposing family.
Kunio Shimizu, a sailor of Tohto University, helped a girl that was chased by someone on her way home from practice.The girl went away without saying anything, leaving her wallet with Kunio. A few days later, she visited Kunio. She was working at a toy factory called Tomoko Nishizawa. Kunio naturally became attracted to Tomoko, but for some reason Tomoko refused to talk about her past. One day, the two went to the bowling alley and were approached by Tempira...
A 1971 crime film
Period comedy about an undertaker's assistant in love with the daughter of a wealthy doctor. When her father refuses to allow the young lovers to marry and they attempt double suicide, Death comes to their rescue.
1962 Japanese movie
A college student takes over the family business in the field of organised crime.
This rarely seen gem from master Suzuki casts teenage heartthrob Koji Wada as a young misfit who suddenly finds himself the unwitting pawn in an escalating family feud that ultimately leads to tragedy. Lean, mean, and stylish as always, this tale of youth-gone-wild is both vibrant and touching. Suzuki contrasts tranquil glimpses of traditional regional life with the emergence of the new rock 'n' roll youth culture and the greed and seething cynicism of encroaching Westernism. Also released under the title "Go To Hell, Hoodlums!", this is a melodrama as colorful, shocking, and exhilarating as one would come to expect from Japan's master filmmaker.
The Sengoku Era was coming to an end. The monopoly of the ever powerful shogun, Ieyasu Tokugawa, was at a near. Only one man was brave enough to stand in Ieyasu's way - A lone wolf samurai by the name of Kagekatsu Uesugi. Inspired by Uesugi's courage to revolt, a young samurai warrior, Touzou Kuruma decides to join the fight. Their target: the Tamonyama Castle.
A young yakuza hitman named Goro does a job and needs to hideout away from Tokyo for a while. He hangs out with loose women and hard men and always manages to stay one step ahead of the law. In his exile, he comes under suspicion for a murder and meets the girlfriend of the murdered man. They develop a strange bond while unbeknown to Goro, another hitman is after him for the job he did in Tokyo.
No description available.
