Ülo Krigul

A mid-level manager who develops an aversion to being a good person questions his morality as he faces the challenges of middle age and loses control of his life.

Autumn in Estonia, where six people live, six solitudes, prisoners of the monotonous architecture of Soviet-era concrete buildings, in search of human companionship, of love, of a ray of light in an ocean of gray.

Year 1208. The first Eastward enlargement of Europe is under way. Brutal forces of the Teutonic Order are steadily marching on. In their path live a simple and peaceful people, whose main pastimes include cultivating the earth, singing and, if possible, doing both at the same time. They are the Estonians. Ignorant in the ways of war, they find an unlikely leader in a young boy with Catholic upbringing. In their fight for freedom, the Estonians encounter numerous obstacles, including the Germans, French, Russians and, worst of all, the Latvians. Will they succeed in defeating their enemies or will they experience a cultural awakening?

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

After ten years of war, plague and famine, the land is swept clean of people. The few remaining souls are scattered about, living in misery and lacking hope. An anxious silence hangs over the land. On one particularly starry night, two peasants find a stranger on the seashore.

A story of a naive man, whose direct behavior stirs in people moral unrest, rage and embarrassment over their own pettiness, making them yearn for goodness.

Tõnu Kõrvits is a composer in his fifth decade who doesn’t open up easily. Though he is one of the most performed Estonian composers, Tõnu prefers to remain in the shadows. His person and music carry a secret that only unravels for those who can see behind the words, who forget themselves in the music and let the sounds Tõnu created take them along on a mystical, poetical journey that changes anyone who arrives at the end. The film “Moorland Elegies” is named after Tõnu’s nine-part choir cycle, based on Emily Brontë’s almost gothic, dark poetry, that invokes spiritual conditions delicately translated into natural imagery. Tõnu’s enchantingly powerful “Moorland Elegies” has been one of the most sold classical records on the Amazon charts and forms the musical and material core of the film. This is a film about a composer, his music and the people who are deeply touched by his music.

A young intellectual, Mati, engineers himself into a situation where he has to spend a weekend with his wife Helina and her lover Eduard. The trio goes to Eduard's summer house, surrounded by the majestic scenery of big forests and an empty beach. Mati, either out of jealousy or pride, has decided to win back his wife and will do anything his introverted and inert mind can come up with.

One night there gather weird figures to the Karahundzhi Palteau. They are the figures of God created by Man in different times and cultures - puppets. At the same time in some technical center they are printing out all letter combinations in all known languages. According to Tibetan monks this act - writing down all the names of God - will bring along the end of the universe. The Creator has decided to introduce the gods to each other before the great end.

Two men on the run cause chaos in a small community that is on the brink of getting swallowed by war.

Love blossoms between Maroc, a singing boat refugee, and Lisa, a collector of singing seashells who dreams about love.