
Félix Dufour-Laperrière
Directing
Biography
Born in 1981 in Quebec, Félix Dufour-Laperrière is a director, screenwriter and producer. His work, which shows a constant tension between narrative and formal exploration, maintains a close connection with the visual and contemporary arts. His films, among which the documentary TRANSATLANTIQUE (IFFR Rotterdam 2014), have been presented in numerous festivals, museums and events of importance, where they have won several awards. VILLE NEUVE (2018), his first animated feature, drawn and painted entirely on paper, had its world premiere at the Mostra (Venice Days) and has since been released in theaters in Quebec, France and Japan. His animated documentary essay, ARCHIPELAGO, is premiering in 2021 in competition in Rotterdam. He now works on its third feature animated film, DEATH DOES NOT EXIST.
Known For

No description available.
La revue culturelle

A true animated film about invented islands. About an imaginary, linguistic, political territory. About a real or dreamed country, or something in between. Archipelago is a film of drawings and speeches, that tells and dreams a place and its inhabitants, to tell and dream a little of our world and times.
Archipelago

Determined to stop drinking, Joseph moves into a friend's house and convinces his ex-wife Emma to join him. In the troubled times of Quebec independence referendum, this is the account of their stormy reunion.
Ville Neuve

After a failed armed attack during which she abandons her companions, Hélène flees into the forest and meets Catherine, a mysterious alter ego, a carnivorous and tempting alter ego. This double will take her to a fantastic valley, where metamorphoses, poisonous powers and great upheavals will soon shake up the order of things. Hélène will have to revisit her choices and the moral, political and human dilemmas that circumscribe them.
Death Does Not Exist

Bridgeport, January 17, 2008. A teenage girl is found hanged in her room. While everything points to suicide, the autopsy report reveals something else. Ten years later, the director and cousin of the teenager examine the past causes and future consequences of this unsolved crime. Like an imagined biography, the film will explore the relationship between the security of the living space and the violence that can jeopardize it.
This House

December 31st, at dusk. Florence, 37 weeks pregnant, is preparing for new year’s eve party. Her friends arrive, they talk loudly, they get dressed and dance together before going out. Florence finally changes her mind and decides to stay home. As she lays down, at the sound of the windy night, she thinks about the arrival of a new year, and about her new life that is about to begin.
A New Year

No description available.
Plage de sable

A short American memory, made from manipulated found footage.
Head

« Give me your tired, your poor Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tossed, to me, I lift my lamp beside the golden door » Emma Lazarus, The New Colossus, 1883
Canicule

A winter tale: the real experience of an imagined love.
Mr. Carreaux

This animated film is above all a love story told with emotion and delicacy. A man loves a woman; both of them love literature. We discover the murmur of their lives, the harmony of their feelings—and we learn how their affection for novels and poetry marks their existence beyond death. The fruitful alliance of filmmaker Félix Dufour-Laperrière’s imagery and the words of Quebec poet Hélène Dorion results in a subtle, sensitive film that resonates in the viewer’s heart and mind. In its hybridization of styles and techniques, The Day Is Listening is also a most modern and daring work: its director has deftly expanded the spectrum of traditional hand-drawn animation, incorporating mosaics of real images that express a myriad of intertwining memories as well as the pulse of urban life.
The Day Is Listening

The story of two friends on the cusp of adolescence, Rachel Samson's warm-hearted animation is an ode to those special summer days that contain major changes.
Out for Ice Cream

Documentary essay, filmed during an Atlantic crossing aboard a cargo ship. A film about immensity and faith, about the uninterrupted movements of the waves and their power. And finally, perhaps most importantly, about the men aboard, witnesses and actors in this life between two shores, isolated in the middle of infinity. Transatlantic tells the story of the journey and daily life aboard and reveals the ship as a microcosm and a metaphor : a human island in the heart of a great elsewhere.
Transatlantic

A married woman has an affair. She gets pregnant by her lover and they live serenely together, although war is thundering towards their city. Despite lineups, traffic jams and shortages they manage to live a peaceful life with their little girl.
Rosa Rosa

The dawn, a young woman and the end of the day in a three parts, unstable biography.
One, Two, Three, Dusk

In a world that has really been turned upside down, the true is a moment of the false. (Guy Debord, The Society of the Spectacle). What about the boreal forest?
Parallel North

A man has to confront the rise of the black ink.
Black Ink on Sky Blue

An encounter in dark places, movements in chiaroscuro and the breath of a rising wind for the daylight to be revealed in all its amplitude.
Dynamique de la pénombre

Masculine noun, shortened form of striptease. From "strip", to remove, to take away, and "tease", to entice, to tempt. And then all this in plural.
Strips

« While Marilou wears out / Health exhausts / Getting laid »