Writing
A story about the devil's influence on five people's lives in 20th-century Venice.
The setting is a Central European kingdom, near the turn of the century. Bored by his very proper wife, the youthful heir to the throne spends his time in amorous dalliances at a sprawling country estate. His wife departs at the arrival of his friends, and they organize a celebration which becomes a wild orgy and culminates in death and tragedy.
A journalist preparing a story on extremist youth falls in love with a young radical who fears being killed by his companions when he is unable to commit a political assassination.
Suave antiques dealer Alfredo Martelli is picked up by the police with no justification. At the precinct, Martelli realizes what the investigation is all about-- that he is the main suspect in the killing of his wealthy ex-lover. Is he guilty, or is he just a sleaze?
The tumultuous life of Arthur Rimbaud, the cursed poet, who completed his masterwork at the age of twenty, became an arms dealer and died at thirty-seven; and his passionate relationship with Paul Verlaine, full of wanderings, storms and falling out.
A historical drama set in the 1400s, a young man sent to Italy but is forced back after his father's mysterious death.
The beautiful but neglected wife of a brilliant architect from Milan, betrayed by her husband and mocked by her friend who manages the amorous adventures that she dreams of having, decides to take vengeance of the two, seducing her friend's husband and her young son.
On June 30, 1990, in Rome, Marie Christine is getting ready to take her son Pietro and Paolo to their father for the weekend. As the Football World Cup is taking place in Italy, Rome is flooded with supporters; the traffic is chaotic and French-born Marie Christine, who works as a translator, finds a bag that belongs to Miriam, who must leave the next day. Marie Christine decides to find her to return her passport, but one Giuliano Ferrini tries to prevent this. So Marie Christine finds herself navigating through a hot Roman night in a city she doesn't know, among people she never dreamed could inhabit the same city.
In this costume epic, the last days of Julius Caesar are chronicled.
In a wealthy Italian home, the daughter of the family is trying to cut her mother's apron strings. Not only is she having difficulty with this, for her mother is extremely protective, but she cannot even cut vegetables skillfully. Despite that, she wants to go out and party, mother or no mother.
Documentary consisting of archival footage that depicts the evolving conditions of Italian women during the first half of the 20th century.
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Francesca, a magistrate, seems happily married to a successful and wealthy engineer. They prepare to spend a holiday together when Francesca is instructed to shed light on the mysterious death of a girl, Rosa Franceschi, who threw herself from the terrace of her house. Francesca interrogates friends and neighbours of the victim, especially Veronica Marini who, living opposite the victim's apartment, followed the whole story. This is how she discovers her husband's affair with Rosa Franceschi and her involvement in the girl's suicide or murder.
The narrative concerns the barbaric exploits of Attila The Hun and yet none of the characters ever leave the remote seaside stretch of land on which the film is set or do much of anything – with the ensuing moralizing interrupted only by the occasional (and equally obscure) music-infused rites.
A young student is visited by a mysterious and wealthy philosopher with an offer to make the student his heir .
Tel Aviv is the city that never sleeps, the start-up nation par excellence, the most secular and cosmopolitan of all the cities in the Middle East. Its dynamism manages to combine the memory of the past with the unstoppable ambition to offer itself every day to change, to bet, to the future. The question is: is Tel Aviv the vanguard of an Israel to come, or is it just a small island - a "bubble" as they say - within a country in constant conflict with its neighbors and beyond.
The second part of Giovanna Gagliardo's documentary recounts forty years of Italian history, and more, through film footage and photos from the 1960s to the present day.
