Aimar Vega

The film deals with the filming of an episode of the series with storylines that take place both within the fiction with the characters of 'Aída' and outside of it with the actors themselves and their relationships, which reflects on topics such as the limits of comedy, the work of a comedian and fame.

A bus is hijacked by three robbers—who end up dead before they can get away. Every passenger's story is the same: A hooded man saved the day. As the case unfolds, the line between hero and criminal begins to blur.

Each day after work, Carlos, a language school teacher, frequents the heady surroundings of his local cruising ground. One evening he encounters a teenage boy from his class named Toni, and the two engage in a brief sexual tryst. As the relationship between teacher and student begins to develop, some dark truths emerge about the young man and his mysterious group of friends.

Modelo Prison. Barcelona, 1977. A young accountant, awaiting trial for embezzlement with a possible 20 years sentence, joins a group of prisoners demanding amnesty.

Laura has recently started working in the Barcelona subway. She has been assigned the old and quiet Rocafort station, but it won't be long before she discovers that this stop harbors a legend that will begin to haunt her: many people have died there in strange circumstances over the years and no one seems to be interested in knowing the truth.

Based on a true story, in late 1970s Barcelona, Manolo Vital, a bus driver, takes bold action to protest the neglect of Torre Baró, an immigrant neighborhood. His act becomes a symbol of resistance against systemic inequality during a pivotal moment in the city’s modern transformation.

Gang is a journey into group-mentality, impulse, and those experiences that men very often keep quiet, to the masculinity that devours us.

Juana Doña, a communist woman; Carmen Polo, dictator Franco's wife; and Eva Duarte, President Perón's wife, the first lady of Argentina, the idolized Evita, crisscross their lives during Evita's official visit to Spain, an autarchic country isolated from the world, in June 1947. Behind the pomp of reception there is a pharaonic preparation, hidden businesses, battles in the Caudillo's court and the possibility of saving a human life.

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El Mort Viu portraits the Gifra family: the father, Joan, unmotivated and unemployed, a passionate follower of Saint Rabuci; Marc, the ever-angry older brother, a hard-working yet embittered man who has taken the reigns of the family; and the problematic younger son Llàtzer, a NEET parasite that feeds on the decline of his family and the birth of a monster settling in a very peculiar town, between dramedy and fantasy, through the filter of Spanish tradition of very dark humor.

A writer's career — and entire life — suddenly goes off script when he falls prey to a dangerous web of criminals right before moving to Barcelona.

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Teresa changes her vacation plans to spend the summer with Ani, her mother. Living together day and night after so many years is not easy for either of them. Accustomed to living alone, it is difficult for them to agree on even the small things of daily life. However, the forced coexistence will also bring revealing moments for both.

Quique is dispatched to a village in deep Spain Teruel to lead its politics of recuperation but soon discovers he was sent there so that his girlfriend and leader of his party could spend more time together.

Follows two friends, Juan and David, they will find themselves on a rooftop terrace after an intense party in Madrid. Juan witnesses David falling to the void, and his body disintegrating into ceramic pieces after hitting a car.

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Adela is a single mother, hardworking and humble. While she works, her mother takes care of her son. Immersed in her obligations that don't allow her to think about her, she will be forced to open her eyes and face a new reality when, on an early morning, her mother runs away from home and begins to show the first signs of dementia.

A married woman discovers her husband is having an affair with a male prostitute and wants to meet the lover to get answers. However, her plans are interrupted when she gets a heart-stopping call from the hospital — her husband had a stroke and is lying unconscious. The wife and the lover — who fell in love with the husband — both rush to the hospital, and the remainder of the film highlights the dynamic of the two grappling with their situation as they both wait for the husband to recover in the ICU.

Living in a van on the outskirts of Barcelona, Bear (Pol López) does everything he can to give his six-year-old daughter a life filled with joy, even when there's little to hold onto. Between unsteady routines and fragile hopes, their bond becomes a quiet act of resistance. A heartfelt story about love, dignity, and the small miracles that can bloom in the hardest places.

Pilar is an ordinary woman who lives immersed in a routine that has never been questioned: work, family and housework. Therefore, when she is unexpectedly told that she is being fired, she enters into a deep identity crisis. Despite everything, she refuses to give up and clings to what she thinks she has left: her role as a mother of two teenagers, but, unfortunately, her children no longer need her as before. In this personal situation, she is moved by the generational clash regarding the young women in her family, who, like a mirror, reflects her longing for a life that she has never lived.