Antonis Kokkinos

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As his wedding day approaches, the architect Yannis keeps having a recurring dream that leaves him shaken when he wakes up. The girl in his reverie is stunningly beautiful, a blithe spirit who taunts him with her smile, her shapely figure, her sensual persona - all that a man would want as a companion for life. The real world, however, offers him someone entirely different. Anna is sweet, attentive, down to earth - all that a man could wish for in a normal marriage. The right decision, it appears, is made. And then it happens: Yannis's dream comes true - on his wedding day.

In late-1960s Athens, a student forms a strong friendship with a group of young dreamers, against the backdrop of the military dictatorship.

An approach to the phenomenon of Thanasis Vengos, the man and the artist, through film excerpts, testimonies of his collaborators and relatives and analyses of his symbolic role in the post-war modern Greek reality. Thanasis Vengos, for more than fifty years, was one of the most important actors in Greece. His films and lines are written in history, raising more than three generations of Greeks.

Odysseus is a model employee in Haramis Inc, a large company with an unscrupulous boss, Mr Haramis. When an oil spill puts the boss in a difficult situation, Odysseus gets the blame and he is sent to jail unfairly. In jail, he meets a junkyard dealer and an out-of-work mathematician with a fixation on the chaos theory. The three meet again once out of jail and decide to start a rubbish recycling company, which unfortunately, soon becomes successful enough to challenge the profits of Haramis Inc. Odysseus and his former boss cross swords again and end up in court - The moot point, who owns rubbish?

A Polytechnic student, Thanasis, shortly after the death of his mother, moves into the house of his forty-five-year-old brother Petros, who still lives in the atmosphere of the 60s. A former Polytechnic student, he too had formed a rock band with his friends, a group that they still try to keep alive in their free time. Thanasis sees on the doorstep of the house a woman who looks a lot like Eleni, his brother's former girlfriend. He watches her intently and realizes that it is indeed Eleni. She has come from abroad to attend a regular meeting of the old company, which no one seems to remember anymore.

In the mid-80s, Aegokeros publishing house intended to publish a magazine about film and the theater. Theo Angelopoulos and Nikos Panayotopoulos had been chosen by the editorial board for the first issue. A summer evening at Angelopoulos house in the Mati area, Antonis Kokkinos and Yannis Soldatos recorded a three-hour interview between Theo and Nikos, within the frameworks set for them, in order to be included in the magazine. The interview brought to the fore their common course, even though completely opposite from one point onward. Thirty-five years later, the unpublished conversation has been found; both the tapes and the transcripts! This conversation stands as a valuable manifestation of the creators’ views regarding their own, until then, existing and future work, as well as a thorough insight into the New Greek Cinema, and into World Cinema in general.

Inside Korydallos women’s prison, incarcerated women share fragments of their lives before and during imprisonment. Through memories, daily routines, and the choices that shaped them, the film weaves individual voices into a collective portrait of life behind bars and enduring hope.

Why does a polar bear feel sleepy come fall? Why does she lose her appetite? Why does she avoid fights? It' 's not easy to find out the secrets of the polar bear.