Livio Delgado

A handsome and mysterious stranger, played by Darío Grandinetti, walks into the town square of Villaserena one day and strategically places loudspeakers around the town, blaring a variety of musical tunes. Soon, he begins to sell airtime to the various locals, who broadcast their own personal love dedications and (more frequently) insults for all to hear. A subplot evolves between Abelardo (the stranger), Celeste (a young woman who is chained inside her father's house to stop her running away), and José (a young man).

Teresa is overwhelmed: with a husband, three young sons, a job as a crew leader in a textile factory, and volunteer commitments as cultural leader of her union. Her husband, Ramón, believes her additional pursuits take time away from her domestic tasks and wants more of her attention, accusing her of neglecting him, her house and her family. A hard-hitting Cuban drama that presents a woman struggling for control of her own life and deals with the social consequences of traditional male chauvinism.

Follows the story of three privileged Creole orphans from Havana, as they meet French adventurer Victor Hugues and get involved in the revolutionary turmoil that shook the Atlantic World at the end of the eighteenth century. The main characters are all members of one family: two siblings, Carlos and Sofia, and their cousin Esteban.

An approach to a living myth of dance, Alicia Alonso, from the viewpoint of her passion, tenacity and devotion to art. It includes fragments of the ballet Giselle, choreographed by her, based on the original by Jean Coralli and Jules Perrot, and of La Diva, choreographed by Alberto Méndez.

Pedro, a young black man born into a family of Haitians who emigrated to Cuba, returns to his town and notes the changes that the new times have brought.

The world of a young psychiatrist is shattered when she finds out that her husband is having an affair with one of her patients.

In 1914, during World Ward I, Amada, a bourgeois wife, falls in love with her cousin Marcial, a young idealist who is fighting against the Cuban regime in power.

Based on the novel Francisco by Anselmo Suárez y Romero, "The Other Francisco" is a socio-economic analysis of slavery and class struggle through the retelling of the original novel. The film contrasts the romantic conceptions of plantation life found in Suárez Romero's novel with a realistic expose of the actual historical conditions of slavery throughout the Americas. It offers a critical analysis of the novel, showing how the author's social background led to his use of particular dramatic structures to convey his liberal, humanitarian viewpoint.

A left-wing intellectual, faced with the imminence of his arrest during the coup d'état against President Joao Goulart, lives anguished moments of definition. To the collapse of his small universe is added a conjugal confrontation that unmasks him mercilessly.

Cheo visits his friend, Manolo, who he hasn't seen for many years. They drink to celebrate their reunion and fondly recall the times they spent together in years past. As they reminisce, the two friends confront the revolution, evaluate their lives, and bare their souls.

Nicolás Guillén Landrián was one of the most avant-garde Cuban filmmakers of the 1960s and 1970s. However, his work was not properly appreciated and he was relegated to ostracism. In 2022, some of his documentaries began to be restored. While documenting this process, his widow Gretel Alfonso and photographer Livio Delgado recall different passages from the life of this important documentary filmmaker.