Nikos Hatzis

A woman is walking alone through an abandoned city. She approaches the forbidden zone and tries to pass through. Everywhere the Morning Patrol and deceptive traps are watching. The city itself is alive but uncontrolled. Computer voices warn non-existing inhabitants to leave the city. The communication system works... cinemas show films... classic faces of a past era flash across TV screens. She is confronted by one of the few survivors guarding the city. They will come close to each other ; they will try to recall the past. Together they unravel their tangled memory - threads of this catastrophe and decide to penetrate the zone together ; They are linked by the bonds of violence and death since no other behaviour is possible in this kind of world. Is there an end? Is there hope and any future since no person that was allowed through ever returned to tell us whether the freedom of the sea exists. The fugitives encounter increasing dangers... Written by

Durant la révolte crétoise de 1897-1898, une flotte européenne (France, Royaume-Uni, Russie, Allemagne, Italie et Autriche-Hongrie) intervient et occupe les ports de l'île. À La Canée, Rosa Bonaparte, venue de Marseille avec douze prostituées, installe un bordel dans une aile désaffectée de la mairie. Le lieu devient rapidement le centre de tous les trafics et de toutes les manigances politiques. Tous les personnages, clients et prostituées, sont caricaturaux car ils incarnent des archétypes. S'ils sont inventés, le reste : flottes occidentales, bordel, etc. est historiquement vrai. Rosa Bonaparte est un hommage à Mme Hortense, la prostituée « retraitée » d’Alexis Zorba et donc de Zorba le Grec...

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