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Vojtěch Jasný

Vojtěch Jasný

Directing

Biography

Vojtěch Jasný (born 30 November 1925 – 15 November 2019) was a Czech director who came to prominence in the sixties. He won a Cannes Special Jury Prize for Až přijde kocour/The Cassandra Cat (1963). He was born in Kelč in Moravia. An active filmmaker in Czechoslovakia throughout the 1950s and 1960s, he was among many artists and intellectuals who left the country after the USSR-led invasion following the Prague Spring of 1968. Jasný worked in other European countries for several years including Austria, West Germany and Yugoslavia until relocating to Brooklyn, New York in the early 1980s. Jasný taught film directing classes at Columbia University for several years (where his compatriot Miloš Forman was also a professor and former Film Division Co-Chair) and continues to teach at The School of Visual Arts (SVA) and The New York Film Academy (NYFA). Až přijde kocour/The Cassandra Cat is an allegorical fable about a magical cat that comes to a small Czech town and causes the underlying nature of the townspeople to be revealed. The film won a Special Jury Prize at Cannes. Also among Jasný's works is Všichni dobří rodáci /All My Good Countrymen (1968), a story centering on the lives and fates of several rural Czechs as they struggle to adapt and survive under communist rule; a film later banned in Czechoslovakia after the invasion of 1968.

Known For

A Boy And His Car

Playing hooky from school, Tony, a student/chorister at the Cathedral of St. John the Divine, spends the afternoon at Central Park's Sailboat lake and retrieves a remote control device left behind by a pair of sailboat racers. Back in the schoolyard, Tony pretends that he has a car to go with the remote control. When another boy tries to take the control from him, it falls on the ground and a red remote-control sports car miraculously appears. The car "dances" to rap music and even brings Tony a can of soda. One day, a sinister-looking man with a briefcase steals the car and flees into the subway. Tony and his classmates pursue the thief to the Wall Street area and ask to inspect the briefcases of passing businessmen. Eluding the students, the crook hails a taxi and hurls the briefcase from the window. Next morning, Tony hears the sound of a sports car during a church service. Returning to its rightful owner, the magical car mysteriously reappears at the end of the processional.

A Boy And His Car

1990Movie
Why Havel?

The first part of the block will be dedicated to the monograph Vojtěch Jasný: The Film Poet in Exile (2020) authored by the film historian Jiří Voráč. The monograph is centered on the legendary director’s life and career after his emigration to Western Europe and to the US after 1968, which have so far received little attention. In exile, Jasný established himself as a film director (he authored over thirty cinema and TV films and documentaries), stage director, photographer, and film studies lecturer. The first part will be followed by the screening of Jasný’s documentary Why Havel? co-produced by himself and Miloš Forman in Canada and Czechoslovakia in 1991. As remarkable as this reflection of the paradoxical transformation of a dissident into a president in the carnival-like atmosphere of the euphoric post-revolution period with the first question marks already appearing may be, it did not meet the expectations of the head of state.

Why Havel?

1991Movie
Searching for Ester
8.0

Ester Krumbachová - a costume designer, screenwriter, director; one of the boldest personalities of the Czech New Wave. She worked in theatre, she was a writer and an illustrator. She co-created films such as O slavnosti a hostech (1966), Sedmikrásky (1966), Vsichni dobrí rodáci (1969), Pension pro svobodné pány (1968), Valerie a týden divu (1970), Slamený klobouk (1972) and many others. In the 1960s, she was a 'pivot' of the art scene in Prague, attracting artists who were on the threshold of their career, just setting out to find their own form of self-realization. Those who underwent her tutelage remember her forever. Director Vera Chytilová talks to those who knew Ester Krumbachová, who worked with her, befriended her, loved her. She sets off on a search that is to end by answering the question: Who was Ester?

Searching for Ester

2005Movie