Félix Rodríguez

After a couple finds a traumatized child of unknown origins, wife Paula must decipher the girl's strange behaviors to unlock her identity and dark past.

In an abandoned psychiatric hospital, a theatre group experiments with insomnia for the preparation of a stage play. With the passage of days without sleep, they reach new thresholds of perception that expose them to the secrets of the place and the energies that inhabit it. When Bianca, a young, promising actress, joins the cast, competing for the lead role, she must survive not only the intensity of the work and her cast mates, but the unknown force that is pulling them towards a tragic outcome.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Lucía, a club dancer on the run, takes refuge in a sinister building on the outskirts of Madrid where her sister Rocío lives with her daughter Alba.

Colonia Helena, Argentina. The mysterious Tomás Kóblic, a former Navy pilot, works as a fumigator while dealing with his dark past and the intrigues of the corrupt police commissioner…

When a group of young Spanish tourists travel to Venice for a bachelorette party, they are met by angry locals who are not keen on foreigners and soon they find themselves fighting for their lives.

After a difficult divorce, Alicia moves into an old house with her daughter Carla, unaware that it hides a past of recurrent tragedy. As Carla senses perturbing presences, Alicia begins to doubt her own sanity. A blue dress connects Carla to the ghost of a girl from the past, triggering terrifying events. Mother and daughter will try to escape the house, but the house won’t let them get away so easily.

Juan and Sonia arrive at a large old house, an ideal place to raise their newborn son. When, one night before going to bed, they check the operation of the monitoring device installed in the baby's room, they discover that someone is sitting next to the crib.

An array of outrageous people, including a desperate nymphomaniac and a terrorist with an acute sense of smell, seek love and happiness in Madrid.

The Iniesta-Galván family is a theatre company that goes from town to town offering its performances. Over the years, its members will have to adapt to changes and make decisions, like that of whether or not to continue performing. One day, unexpectedly, a son that he has fathered on his travels presents himself to Carlos Galván.

German, a young theater director, tries to organize a theater play about Lulu, a prostitute that was killed in London by Jack the ripper. While looking for the protagonist, Rufo appears, an introvert jazz musician. He could play Jack the ripper.

Eduardo, a wealthy banker who has a pastime for hiring young street hustlers to keep his bed warm, spots Miguel, a handsome teen who has a penchant for women and motorcycles.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

Pablo is a twenty-year-old man who wants to be a musician in order to be appreciated by his mother and find a male partner he can share his love with. He finds one, but because of his demanding behaviour, he is soon alone again. He tries to become a French horn player in the Youth Spain National Orchestra, but the examiner turns out to be his father, who's been living apart from his family and doesn't really accept Pablo's sexual trends. Once Pablo fails in his exam, he feels very depressed. When another French horn player from Valencia hasn't got a place to sleep, Pablo takes him home to his house. The next morning, however, he finds a girl named Salome inside of his bed.

A U.S. Army pilot's liberal ideals are challenged when he is stationed at a newly installed military base in Spain, under Franco's regime.

Rodrigo Díaz de Vivar, “Mio Cid”, is in love with Jimena, but the Count of Oviedo, his father, challenges him to a duel and is killed. He before him curses Rodrigo, that if he marries Jimena, he will lose his manly faculties. And, in fact, when he gets married, Rodrigo becomes effeminate.

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Wealthy Olga Arbant, with the help of her submissive husband Paul, enjoys kinky scenarios to help with the writing of her novels, as well as controlling everything and everyone. Impoverished Patrizia, who is a virgin, has agreed to do whatever Olga demands for one month. After being subjected to various humiliations, Patrizia frustrates Olga by developing a mind of her own.

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