Jean-Pierre Desfosse

During her holiday in Brest, a young Parisian falls in love with a sailor. But autumn comes and the two lovers have to part. They write to each other. Will their love resist at a distance, each living his life, him in Brest with his friends, she in Paris who keeps waiting for him? An impossible love story and the cross-portrait of two cities, Paris and Brest, between the realism of the color images and the poetry infused by the sepia black and white images, lives to the rhythm of the nostalgia of the two lovers...

The Tunisian born hero of the film decides to break with his disorganized yet habit-ridden life in Paris, and sets off to discover his homeland, which he left at 6 years old, and to rekindle the memory of his mother, who died when he was a child.

To emerge from anonymity, a young man assumes responsibility for a crime he did not commit.

Jeanne looks back on her love for Jean. The melancholic young man wouldn't accept the world as it was, always wishing to depart. She doesn't know that he's dead.

Fleeting images of Paris in winter, the reflections of some Parisians on their city.

The real museum of Mexico City is the city, the street. To grasp the intangible, Guy Gilles decides to tell the story of Mexico by questioning the value of images and sounds, far from tourist clichés. The nightlife of Mexico City, his meeting with young Lupe, the hotel’s lifiter.

A day in Aurillac on a rainy Sunday.

Choreography of familiar gestures that the author was able to spice up with a peculiar and original perspective.

Marchers in an Indepence Day celebration in Mexico are transformed into tiny soldiers, tiny articulated automatons, turning a serious event into childlike playfulness.