Henri Kapulainen

No description available.

Anssi Mänttäri’s low-budget movies with their intimate content have become classics. In this black comedy that takes place in Helsinki in summer the main character (played by Mänttäri himself) jumps from one bar and bed to the next. Especially vulgar black humour.

Documentary on the history of Ryhmäteatteri theatre company.

Drama set in Stockholm and Helsinki and a village whose existence is threatened by a power plant. A group of young people return to their roots and are disappointed by what they find.

Eero Tyrni, a reporter for Iltapäivä newspaper, is in Austria doing a story on ski jumper Teemu Kimpilä. Kimpilä's jumps fail and he disappears from the scene. Left behind are his third wife Sari, his sponsors, the Ski Association, and the Finnish people. Tyrni is tasked with finding out where Kimpilä disappeared to.

A group of three male friends with domestic problems behave badly.

Actress Roosa Heinonen is heading for her first lead role in a historical drama film called The Pastor. Arriving to the film set, she confronts an unpleasant surprise.

Semi-fictitious biopic of Finnish poet Eino Leino, made with a large budget to celebrate the 100th anniversary of his birth. The film concentrates on his relationships with first wife Freya Schoultz and later muse, poetess L. Onerva. His friends include equally central figures of the Finnish cultural scene in the early 1900s, such as painters Halonen and Gallén-Kallela, and composer Sibelius.

Surrealistic black comedy about a safe insurance inspector looking into one company's fate.

Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.

Rousku and Raninen are fleeing their unemployment by setting up a construction company. Occupational illiteracy is not an obstacle and accounting is fine when Rouskun's mate deals with things. The entrepreneurs know that the poor can be, but not artificial. But what's the point for the scratchy women? Especially when Rousku gets to look in the mirror again and find out what kind of father, such a daughter.

Grandmother returns from the grave to haunt her family.

A story about one man's success and another's demise. Algoth Mäki, who moved to southern Finland in search of work, encounters the harsh world of gravel mining, where others succumb, but Hurme, the Sand King, continues his rise up the social ladder.

Mikko's wife and children have moved in with another man. Unhappy Mikko unexpectedly receives a letter from his old friend Aki. Aki invites Mikko to join him in Haaravaara for a hunting trip. The hunting trip turns into a meeting between two very unhappy men after many years apart.