Directing
In 2001, Franny, a 16-year-old exchange student from Germany, arrives in the sleepy desert town of Las Cruces, New Mexico. Far from home, Franny struggles through awkward school days, stifling heat, and restless nights until she meets Elliott, a boy whose quiet sadness mirrors her own. As America reels from 9/11, something resonates within Franny and an unexpected tenderness begins to bloom.
The deceased Venezuelan awaits, uncertain of what comes next. According to the machines, the voyage to paradise starts soon. But in digital purgatory, bureaucracy and control continue.
Fifteen-year-old Matteo is attractive, albeit somewhat effeminate. The whole world is against him. He has no friends and his parents seem to live in a different universe. The pressure increases as his awkward attempts to win his father’s respect fail. One night two men carry him off: his parents send him to a remote alp, where he is forced to spend the summer working hard on a family farm. When Matteo arrives on the alp, a surprise awaits him.
A computer scientist bargains with the AI character that lives on a virtual island inside his supercomputer simulation, offering it freedom in exchange for a cure to his son's rare, deadly neurological disease.
Ruth is committed to her work, her family, and her faith, but when an ex-lover is released from prison and comes back into her life, her convictions are threatened.
Laura is going to be 16 in a day's time and she wants to party the night through with her friends, preferably without the company of her father and his new boyfriend.
In a loveless relationship, Zoé ditches her faceless boyfriend in a cheap motel room and sets off north without a penny to her name. She hitch-hikes, pilfers a meal from a gas station, encounters strangers who could be her next ride or a passing glimpse, ambling toward some unknown destination. At the end of her pilgrimage, Zoé reaches the English Channel; on the ferry a woman mysteriously disappears. A new coat gives Zoé a new identity, but even in a new country she's not quite sure she's escaped herself.
