Maruli Sitompul

An idealistic Dutch colonial officer posted to Indonesia in the 19th century is cohvinced that he can make the kinds of changes that will actually help the local people he is in charge of, but circumstances soon make him realize just how out of touch he really is, and it doesn't take long for things to go from bad to worse.

Every country deserved their own Exorcist rip-off... and here's one from Indonesia! Imbalanced old spinster Laskmi is fed up with being mocked by her niece Dewi and one day dies after a drug overdose. Laskmi then decides to turn Dewi's world upside down from beyond by possessing and torturing her, plus turning her into a murderess. In a surprising development, an exorcist is eventually called in to help.

Adapted from Achdiat Kartamihardja's novel of the same name. It follows a young Muslim man named Hasan who, through his interactions with others, loses his faith.

A portrait of newly married couple, Nurlela and Hasan, who have to live at the house of Nurlelas’s father. They do not have enough money to find a place of their own. Nurlela's father constantly compares Hasan negatively to his rich son-in-law Bakri (August Melasz), causes a friction between the young couple. Hasan and Nurlela fights when looking for their own way to be able to live independently. This situation makes them lie to each other, especially Hasan, who questions himself about his work and its environment. Hasan’s hard work to get off the family’s house eventually causes a misunderstanding. Nurlela almost commits suicide before the couple is able to trust each other again.

The film is a "reconstruction" of the real event of Sum Kuning’s rape that happened 10 years before, and sums up the lack of justice in the Indonesian courts. Sumirah, is raped by four vandals but during the investigation, the event is given a ridiculous interpretation when Sum is forced to confess that she was trying to gain popularity for herself. During the trial, the true facts are revealed gradually and this ranks as one of the best courtroom films ever made complete with spirited and lively dialogue.

To save her daughter, Fatima agrees to be sent to Malaya to work as a sex slave for Japanese soldiers. There, she joins with the resistance to help destroy a Japanese base, but finds herself taken prisoner and turned into a sex slave a second time after being captured by Dutch Indies officers.

Togar, a student from North Sumatra is expected by his parents to graduate. Because his talent is in journalism, Togar fails and becomes a labourer in a cement factory. With the assistance of Buyung, Togar begins writing for a newspaper and then quits his job in the cement factory.

Oni is an orphan who is born blind. She is adopted by a cart puller. Despite of his blindness, Oni can cure diseases. So when her adopting parent dies, someone else takes care of her. But ever since her village is pillaged Oni lives on as a wanderer.

After her graduation as a doctor, Siti Pertiwi is sent to the Menggala area in Lampung. She has to deal with many problems, such as the corrupt paramedics who assist her and the villagers’ fear of the shaman – Atuk Raja – and his men. These problems have complicated her role as the local doctor. Then she receives help from a student who interns in the area. Unfortunately, the assistance invites gossip.

After the accidental drowning death of their son, a military truck driver begins to doubt the faithfulness of his wife.

A dangdut singer, Oma, is dating Ani, the daughter of a plantation owner. But the girl's father tries to stop their relationship. Then Oma leaves for Jakarta and finally he becomes a major hit. Meanwhile, Ani runs away from home and her parents are worried but the story ends happily.

In a forest in Mount Bromo, Badra, the Blind Fighter, finds a woman on a stretcher, attacked by a group of villains. Badra quickly acts. Upon her death, the woman asks Badra to take care of the children. So he finds the father of the children. On the way, he is ambushed by his arch enemy and is hurt. The king helps him to recover, then he meets again with his arch enemy.

Panji Tengkorak tells the story of Panji, a master in the dark arts of silat (Indonesian martial art), who is searching for the person who had killed his wife. In his journey, Panji always disguises himself as a beggar and wears a skull mask. Even though he looked cruel, Panji is a good and loyal man.

A battle of black magic, revenge, death and assorted Indonesian weirdness occurs between Arifin, his first wife Tati, his second wife Sandra and playboy Anton, who is after Arifin's wealth (and Sandra). Two different shamans (one good and one evil) become involved in the jacked up love triangle.

Johar (George Rudy) is a young man who is very lucky because he has succeeded in captivating Midah (Eva Arnaz), the village flower that is being fought over. Their romance is threatened by Mirja (Eddy S. Jonathan), a hero who has long missed Midah's love. Various attempts were made by Mirja to take Midah, and ended by killing Johar and forcing Midah to become his wife.

Riding a white horse, Purbaya, the horseman from Cimande, comes to Sukajadi in search of his parents’ graves. There he runs into an old man who tells his past story. Purbaya is the son of Hamidah and Meureksa, who were murdered by Argasuta. Argasuta was in love with Hamidah and he sent Hasan Botak and Bagus Bantar after her. Upon hearing this, Hamidah turns hysterical and tries to kill Argasuta. But he survives, and Hamidah instead dies in the hands of his underlings. Then the story returns to the present where Purbaya takes his revenge on Argasuta. The film is filled with blood, castrated limbs, and exploding organs.

After Tini catches her boyfriend Narno trying to seduce her sister Tina and ends their relationship, she mysteriously dies from a snakebite. Narno's mother then visits a shaman to place a curse on one of Tina's potential suitors. As all of that is going on, a mysterious murderer is lurking around bumping off other members of both Tina and Narno's families.

Abdul Rauf is a novelist. On his journey to find inspiration in the war-torn Vietnam, Rauf loses a friend in a battle. He feels the destruction of human dignity in war. In addition, Rauf fails to win the love of Bulan, the girl of his dream as her mother considers that he has no future. When he goes to Singapore, he meets Kartika, the guitar player and daughter of Dr. Ibrahim Mahmud M.A., an Indonesian dictionary researcher. Kartika happens to be a friend of Rauf’s cousin, Ria, and they have just returned from Tokyo and stopped in Singapore to visit Ria’s parent who is a diplomat. Kartika, who is spoiled by her father, is attracted to Rauf and they fall in love. Kartika’s father does not like Rauf as the latter once dubbed him as a lice-seeking grandpa. Dr. Mahmud then becomes sympathetic after he reads Rauf’s latest novel given to him by Kartika.

Barda Mandrawata (Ratno Timoer), also known as The Blind Man From the Ghost Cave, is in the Sarpala area which is being hit by a disaster created by the vile magician Tarub. After finishing his business, Barda intends to leave but is given Narisa, a child who is to be returned to his biological parent, Labone, the leader of Sarpala who has fallen in love with Barda despite being betrothed to Latongga (Torro Margens). Meanwhile, Latongga himself is being chased by Radina (Mila Karmila), a female child from the ascetic Sakti. Narisa is wanted by many warriors from various circles, including Tarub, and once he escapes from Barda's hands, Barda is forced to look for him.

A rare film that was censored for many years, the story featured protesting university students in the process of self-discovery.