Sound
During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.
The Florentine sculptor and silversmith Benvenuto Cellini rapidly attained a degree of renown that went beyond the confines of Italy. Invariably embroiled in conspiracies, intrigues and quarrels, Cellini is commissioned by the Pope to cast a large sculpture of Perseus. He is loved by Teresa, but she is promised to Fieramosca, an academic artist who has not been favoured with a papal commission. Terry Gilliam’s exuberant production draws the protagonists into a delirious and joyful yet claustrophobic and megalomaniac world: a flaring up of contagious madness.
This grand opera, complete with ensembles and ballets, large choruses and orchestral set pieces, is given an appropriately grand treatment in this production by the renowned Catalan theater group "La Fura dels Baus" recorded at Valencia's Palau de les Arts. In the first part of the work, Padrissa plays with the present-day meaning of "Trojans" as computer viruses: his Trojan horse carries within it the infection that will cause system failures and, ultimately, destruction. In the second part, Carthage is presented as the mysterious seat of a future civilization, where human life is heading towards self-destruction through environmental disasters.
Alexandre Tarta's production of Berlioz's opera, recorded live at the Salzburg Festival in 2000. Sylvain Cambreling conducts, with performances by Jon Villars, Russell Braun and Tigran Martirossian.
This epic opera follows Virgil, beginning as the Greeks appear to have ceded the field after ten years of the Trojan War. Cassandra tries to warn of the terrible fate to come, but fate is set and Troy falls. The first two acts cover this tragic end, then the flight of survivors to Carthage and events at Carthage continue in acts 3 - 5, culminating in the further voyage for Italy and Rome. This is Virgil's classic epic, in operatic form, in about a three and a half hour performance from French Opera.
Opera in three acts by Christoph Willibald Gluck, Hector Berlioz's version (1859)
Berlioz’s colossal masterpiece requires stupendous forces—dozens of soloists, enormous chorus, orchestra and ballet, a superb conductor who understands the uniqueness of the score—plus a production that does visual justice to the work. “A stupendous achievement” was one critic’s assessment of Peter Wexler’s inventive production. And with James Levine’s wizardry galvanizing the marvelous all-star cast, this is truly a gem. Plácido Domingo is the legendary hero Aeneas, Jessye Norman the obsessed prophetess Cassandra, and Tatiana Troyanos is Queen Dido, who commits suicide when Aeneas leaves her.
Live from Munich, October 2003. A husband laments the death of his wife. He follows her to the underworld and finds her there. But he is forbidden to look at her. He does it anyway! Has he now lost her forever? Or will the gods' hearts be moved by this loving, "human" glance? In 1762, Gluck put the quietus on the artificiality of baroque opera with this work - from then on the human element took center stage.
Rome, 1532. Pope Clement VII has tasked the sculptor Benvenuto Cellini with creating a bronze statue of Perseus before the end of carnival. Seeking fame and fortune, the latter accepts the commission, even though his workshop is short on both time and metal. On top of that, Cellini is head over heels in love with Teresa, the daughter of the Pope’s treasurer, Balducci, who for his part is intent on marrying his daughter to Fieramosca, Cellini’s rival in love and art. When the young lovers’ attempt to elope fails, Cellini has no choice but to carry out his task successfully if he wants to avoid certain death… Alain Altinoglu is the ideal conductor for this richly coloured masterpiece, to be staged for the first time at La Monnaie. Director Thaddeus Strassberger is bound to enchant the audience with a colourful show worthy of the finest Carnival celebrations!
Doom Island is a personal perspective on Martin's life and autism and schizophrenia from the inside, in a language we can all understand: film. Viewers join Martin when he began film making using Rick Schmidt's book in 1988 and along the way see Martin experience love, grief, and try to figure out existential meaning through the unique perspectives afforded by autism and psychosis, and even join him on a journey to Switzerland to visit a mysterious nuclear physics research laboratory, where the God Particle was discovered. "One of my favorite indie works, beautifully made, original, and as perfectly personal as it gets." Rick Schmidt author of 'Feature Filmmaking at Used Car Prices: How to Write, Produce, Direct, Film, Edit and Promote a Feature-Length Film for Less Than $10,000.'
In a series of long held shots, men are observed performing simple tasks in real time, while on the soundtrack we hear excerpts from opera.
A young man, the soldier and bachelor type, is looking for Anima - the eternal unattainable female who alternately appears as a virgin, harlot, mother, saint but also as a witch. In his illusions and visions made up of images which are multi-layered and ambiguous, Anima changes from a romantic ideal to a technically two dimensional duplicate which can be reproduced and is half woman, half sewing machine.
In Japan, scientifically advanced invaders from the war-destroyed planet Mysteroid cause an entire village to vanish, then send a giant robot out to storm the city by night, after which they request a small patch of land on Earth and the right to marry earthling women, claiming to be pacifists. Mankind must decide whether to capitulate or to resist.
The Scottish National Youth Orchestra performs Jay Capperauld's accordion concerto. In this new work, the Glasgow composer imposes spectacular and acrobatic figures on the ‘piano with braces’. In the second half, the audience is treated to Berlioz's Symphonie fantastique, featuring an ‘episode in the life of an artist’. Accordionist Ryan Corbett plays the solo part alongside the Scottish musicians and their conductor Catherine Larsen-Maguire.
The film is biographical, telling the story of the life and artistic struggles of the French composer Hector Berlioz. Berlioz is shown as a recalcitrant medical student in an anatomy class dreaming of becoming a composer; at a demonstration during a performance at the Paris Opéra conducted by Habeneck; at supper with other young artists (Hugo, Janin, Dumas, Mérimée, Delacroix); and chasing after his future wife Harriet Smithson, after a performance of Hamlet. Also depicted are his life in a garret, while suffering from an illness due to an abscess in the throat; a visit from his mother who curses him; and the composition of the Symphonie fantastique. The film then shows his marital breakdown, the premiere of his opera Benvenuto Cellini, his travels throughout Europe, his second marriage to Marie Recio (called "Marie Martin" in the film), public acceptance in old age and reconciliation with his son.
Radiant mezzo-soprano Susan Graham and dashing Italian tenor Marcello Giordani are unlucky lovers in La Damnation de Faust, Hector Berlioz’s classic take on dancing with the devil.
Princess Mariya fell in love with doctor Toporkov, who was treating her, in the recent past the serf of her family. Now he has become a celebrity and is only concerned about buying a new home profitably. He does not notice her love and marries a rich merchant. The princess in love comes to see Toporkov and opens to him. Her strong feeling touches Toporkov’s hardened heart, he leaves his wife and leaves the princess abroad.
The French National Orchestra, conducted by musical director Cristian Macelaru, performs French repertoire from Berlioz to Offenbach in a festive concert.
Hélène Grimaud's eagerly awaited debut at the BBC Proms was scheduled for 11 September 2001. Until the last moment, the organisers hesitated to go ahead with the performance, such was the shock following the collapse of the World Trade Centre. But London's Royal Albert Hall did go ahead with the concert, in which the soloist gave a masterful performance of Beethoven's Piano Concerto No. 4 with the Orchestre de Paris conducted by Christoph Eschenbach. Programme: Piano Concerto No. 4, Op. 58, by Ludwig van BeethovenSymphonie fantastique, by Hector Berlioz Concert filmed on 11 September 2001 at the Royal Albert Hall (London) during the BBC Proms.
In the sumptuous Art Deco setting of the Théâtre des Champs-Élysées, the Orchestre national de France performs one of the masterpieces of French Romanticism with a stellar vocal cast: Stéphanie d'Oustrac, John Irvin, Paul Gay, and Frédéric Caton.
