Burhan Qurbani

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On 24th August 1992 in the eastern German city of Rostock, a rampaging mob, to the applause and cheering of more than 3,000 bystanders, besieged and set fire to a residential building containing, among others, more than 120 Vietnamese men, women, and children on what has since become known as "The Night of the Fire." The riots became a symbol of xenophobia in the just-reunited Germany. This film recounts the incident from the perspectives of three very different characters.

In the aftermath of a bloody gang war, the youngest daughter of the victorious Arab clan begins to plot against the men of her family. She kills brothers, nephews, friends and enemies, until she is the undisputed boss of the Berlin underworld. But on her path to the top, she has made powerful enemies...

In 2015, thirty year old refugee Francis, the sole survivor of a boat that illegally crossed the Mediterranean, is drawn into Berlin's seedy underbelly.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

Under the artistic direction of director Andreas Dresen, 20 renowned documentary filmmakers, experienced television writers, and teams tell stories about the country and its people. The teams filmed at 20 different locations between June and August 2010 under the same production conditions: four days of filming, one week of editing.

The fates of three German-born Muslims in Berlin collide as they struggle to find their place between faith and modern life in contemporary western society, caught at a crossroads where alluring liberated lifestyles conflict with deeply-rooted traditions.

15 directors explore the question of whether the cinema is dying out as a location, an art form, and language.