Acting
Four eminent Indian directors explore sex, desire and love through short films in this sequel to 2018's Emmy-nominated 'Lust Stories'.
Through four bite-sized yet emotionally resonant films, the anthology once again explores lust, love, relationships, and repressed desire, offering fresh perspectives on intimacy, longing, and human connection in all their complexity.
In 2001, somewhere in rural India, two young brides get accidentally swapped on a train. In the ensuing chaos, they both encounter a host of colourful characters, resulting in hilarious and unexpected consequences.
On a rainy night in Calcutta a group of desperate addicts chase brown sugar, but the permanent intoxication they seek proves elusive. Some of them seek a release, while others do not seem to want the night to end.
Tulsi Joshi, a widow and bride to be comes to her own wedding seeking revenge for the brutal murder of her first born son.
A simple mistake at a new year's eve gathering puts age-old friendships to test, as a baby's life hangs in the balance. Can it ever be that there is no real crime to begin with, but people commit graver crimes in a bid to protect themselves?
One girl loves four boys in different ways,feeling hard to find the better ones.
Needing a secluded place for a late-night tryst, two couples stow away in a mall after hours, but are quickly ensnared in a gruesome and deadly game.
The story revolves around Hutum, He belongs to a poor family. He supports his family by distributing newspapers in his locality. His friend Rajarshi who has a computer at home and is very conversant with the Internet world, including Facebook. Hutum, being a film fanatic and having no goals and ambitions in his life, spends most of his time daydreaming . Rajarshi gets Hutum hooked on to Facebook, to help him ease his troubled mind. Like most of the youngsters, on Facebook, Hutum`s dreamy eyes gets set on a girl from Delhi - Payel. Hutum and Payel get along very well which turns into an affair, Suddenly an incident throws all these haywire and Hutum is left all alone. He slowly goes out of control, and Hutum decides to go to Delhi. he breaks all barriers of logic and reason while he embarks on a journey to Delhi, on his bicycle, with whatever help he could get from his dear friend Rajarshi. What happens next is the crux of the film `FAKEBOOK`. How far can you go for love?
Madly Bangalee is a Bengali rock band that inspires the film’s title. They rehearse in a dowdy garage of Kolkata, owned by Bobby (Lew Hilt), who owns Bobby’s Garage. Four young boys with stardust in their eyes practise their numbers not knowing what they are really aiming at. But the garage is under threat from a South Kolkata don Baburam (Chandan Sen). One morning, an elderly man, San (Anjan Dutt), arrives from "America and Paris." Baaji, (Sumit) the drummer who is a Muslim had to drop out of school. He escapes from the trap of turning a terrorist like his older brother Sultan. He later becomes a police officer who bashes up everyone who tries to bribe him. Neon (Tanaji) plays the rhythm guitar but, sucked into the world of drugs, he disappears from the face of the earth with his guitar. Pablo, lead singer, bass guitarist and lyricist, leaves for the US and the group breaks up. Bobby dies.
An award-winning aging actress reflects on her life while writing a suicide note.
A royal prince arrives on an island of fascist rule and inspires a rebellion among its women in this hallucinogenic adaptation of a classic play.
Set in the present times against two backdrops, New Delhi with its shining buildings and apparent cosmopolitan veneer thinly veils an underbelly of crimes against women and corruption at all levels. And a small village just 80 kilometers from New Delhi that is stuck in a time warp. Kajarya a woman in her early thirties has a strange but important place in the village social structure; she murders unwanted girl infants in the garb of religion. Meera is a rookie reporter.
At midnight on his 10th birthday, a boy scours the lesser-known Kolkata streets in search of a father he’s never met, carrying a letter he can’t read.
