FEEL IT.STREAM
Tereza Nvotová

Tereza Nvotová

Directing

Biography

Tereza was born in 1988 in Trnava, grew up in Bratislava and currently lives and studies in Prague. She studied at Charles University, Faculty of Humanities and FAMU in Prague. She received a bachelor's degree in documentary filmmaking and is currently completing her graduate year in feature film directing. At the age of twenty, she made her documentary debut, Jesus is Normal, in co-production with HBO, which was shown at several festivals and was released in the Czech Republic. She has directed several documentaries for Czech Television and RTVS. In addition to directing, she was also a screenwriter and presenter of the music program Knock Out on Óčka, which mapped the alternative club scene. She also works as an actress, playing the main characters in several feature films (Small Celebrations, Tango with Mosquitoes, Balls, 10 Rules for Getting a Girl).

Known For

Mečiar: The Lust For Power
5.3

The film Mečiar is the confession of the young director Tereza Nvotová about Vladimír Mečiar and the influence that this politician had on Slovak society, but also on the life of Tereza herself. When the totalitarian communist regime fell in Czechoslovakia in 1989, Tereza was one year old. The leaders of the Gentle Revolution then decided to hold an audition for the Minister of the Interior, to which Vladimír Mečiar, an unknown business lawyer from the Slovak countryside at the time, applied. After success in bankruptcy, Vladimír Mečiar reaches the political top, from where he rules the country with a series of questionable practices. Against the background of events such as the division of Czechoslovakia or the kidnapping of the son of the president of the Slovak Republic, Tereza and her peers relive their childhood.

Mečiar: The Lust For Power

2017Movie
No image
2.0

The episodic film MARBLES consists of several short stories about how women manipulate with men. About subtle blackmailings, about crying, about tears, about the ability to sacrifice oneself for a dream, about sex as a service, about the way we can use empathy. It all starts on the playground among children and death does not equal the end. As time goes by, a feminine mechanism of manipulation develops, shapes up, ripens until it reaches the stage of perfection. Individual short stories take place at a techno party as well as in a Catholic parsonage and they conclude in a content domestic routine of two old people which cannot be disrupted by anything – not even by death. The short stories about women of different age and lifestyle put together a story of one complete human life which was, thanks to the manipulation with others, lived according to the plan and at the same time and from the same reason wasted away.

Marbles

2008Movie