
Petrus Cariry
Directing
Biography
Born in Brazil in 1977, Petrus Cariry directed his first feature film in 2007, the award-winning film “The Grain”, which started the trilogy of death, followed by “Mother and Daughter” (2011) and “Clarisse” (2015) that together won more than 200 awards at national and international film festivals. In 2018 he released “The Boat”, his first feature film after the death trilogy. In 2019, Petrus released the documentary "The Welles Raft" directed in collaboration with Firmino Holanda. Petrus Cariry films have been shown at important film festivals such as Nantes (3 Continents), India (IFFI), Toulouse, Mar Del Plata, Vina Del Mar, Habana, Miami and Oldenburg.
Known For

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Caminho de Volta

After taking in an abandoned child, Teresa meets Antônio and the two begin a journey on the roads. The common past, for them, is the memories of a city submerged at the bottom of a dam. Life is a dream, but the future is uncertainty.
Heavier Is the Sky

In an isolated fishing village, Esmerina is married to a fisherman and has 26 children. The oldest son secretly desires to leave to see the world beyond the sea. The daily routine of this family is suddenly altered when a mysterious boat runs aground on the beach entering Ana, a girl who survived the shipwreck.
The Boat

The raft man Manuel Jacaré was swallowed by the sea when Orson Welles was filming It's All True in 1942. The fact evokes memories of the dictatorship of the Estado Novo, of World War II, of Ceará fishermen's struggle for labor rights and housing in their traditional space - target of real estate speculation.
The Welles Raft

The Man Who Became Cabinet tells the story of an employee who, so obsessed with the routine and mechanical tasks of his work environment, eventually becomes one of the cabinets in the office.
The Man Who Became Cabinet

Dinho is concerned with abandonment. His biological mother returns, promising she will stay, while his best friend is about to leave. Between child’s play and caring for a sick aunt, he finds some time to dream. Life has not been easy for them: they cling to the final moments of childhood, which seem to no longer belong to them.
Dinho

The film tells the story of a woman who lives in a village of mining workers.
Oysters Silence

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Foi um Tempo de Poesia

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Os Escravos de Jó

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Reisado Miudim

Marta is a botanical scientist who lives apart from her roots, when she accepts a visit from Diná, a sweet and nosy old lady who desperately tries to penetrate her intimacy.
Rift

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Notícias do Fim do Mundo

Young Alice lives with her mother Helena in Ciarema, in a house facing the sea. The residence suffers from the advance of the sea levels. The daughter, an environmentalist, plans to move elsewhere, but the mother wants to stay in town. They need to find a solution together.
A Praia do Fim do Mundo

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A Ordem dos Penitentes

After a long time apart, a mother and her daughter meet again in the desert, between ruins and memories. The daughter destiny denies her mother dream. The past is circle that imprisons both the dead and the alive. The daughter wants to break it but shadows are spying out.
Mother and Daughter

In an ancient family mansion, mother Sydia and daughter Nina spend a tense night of isolation just as a solar storm threatens to collapse the Earth’s gravity. What begins as a fraught domestic moment quickly shifts when a mysterious visitor, Lara, arrives, and the house’s long‑missing employee, Joana, returns with disturbing news from the outside world. As the cosmic and terrestrial crises gather, the four women are forced to face buried secrets, generational trauma and shifting power dynamics. Their physical refuge becomes a battleground of psychological and symbolic upheaval, where the end of the world becomes mirror to the end of the old order — and perhaps the beginning of something new.
Gravidade

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Uma Jangada Chamada Bruna

A man in crisis and an old super-8 movie with footage from his childhood. A paper picker and his son walk the streets in search of survival. The film traces a poetic trajectory between the impermanence of things and affective memory.
Quando o Vento Sopra

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O Cio da Terra

In the interior of the Inhamuns, the driest and poorest piece of land in Ceará, the ghost town of Cococi, among ruins and neglect, is a kind of living museum from immemorial times. In the middle of the deep caatinga, wandering among the ruins and the shadows, lives Dona Laura, 70 years old, brooding over memories and pain.