John Greyson

Brash humor and genuine emotion make up this original series revolving around the lives, loves, ambitions, careers and friendships of a group of gay men and women living on Liberty Avenue in contemporary Pittsburgh, PA. The show offers an unapologetic look at modern, urban gay and lesbian lives while addressing the most critical health and political issues affecting the community. Sometimes racy, sometimes sensitive and always straight to the heart.

This experimental opera reenacts the lesser known history of Chinese medical student Li Shiu Tong, and his lover Magnus Hirschfeld, a much older German sexologist and gay rights pioneer during Nazi Germany.

The colour pink has been ascribed many meanings, from a reflection of the feminine to a symbol of reclaimed humanity by LGBTQ2S communities. In his latest work, avant-garde filmmaker John Greyson explores the colonial implications of the colour pink, from its association with activist movements to its colouring of the water in Grassy Narrows due to mercury poisoning. Pink this.

An analog animation using the same set of drawings to tell four different versions of the same story. The emotional fallout of two witnesses to a police shooting, a musical about groovy gay boys making the scene, a cop show about the chase and arrest of a suspect, and a news report about soldiers on leave in Iraq.

Mars Brito, a trans bike courier, is killed by an SUV. Is he the victim of an accidental 'door prize', or is this murder? His case becomes a city-wide obsession, with hourly true crime updates and rewards for clues. While this murder mystery unfolds, a Toronto trans activist (also named Mars) works with his friends on an operatic memorial, creating arias for each of the 375 trans murders that were committed around the world that year. Door Prize weaves together documentary, drama, and opera scenes into a hybrid film that explores issues of media spectacle, solidarity violence, trans visibility, and anti-trans violence.

1952: Bishop Bilodeau visits a prison to hear the confession of Simon, a boyhood friend jailed for murder 40 years ago. However, once there, Bilodeau finds himself forced to watch a play put on by Simon and the other inmates depicting the two men's youths. As the play progresses, the tragic truth of Simon's crime comes to light.

In 2021, aspiring chef Phelokazi Ndlwana was stabbed to death because she fought back against her rapist. She was targeted specifically because she was a proud black lesbian, beloved in her home community of Khayelitsha Township, South Africa, and the latest victim in a national epidemic of homophobic violence. Funeka Soldaat and her activist group Free Gender in Khayelitsha took the police to court, alleging incompetence and corruption in Phelokazi's case. Ndodana-Breen and Greyson have crafted an operatic cine-poem inspired by Phelokazi's story, featuring vocals by mezzo-soprano Chantelle Grant.

A mystery man brings together a group of dead, gay artists to investigate a police response to the dilema of wash-room sex in Toronto. The artists have seven days in which to report on the ethics of police tactics. The artists infiltrate the police only to discover that they themselves are under surveillance as a political subversive group. The artists explore and report on the evolution of toilets and wash-room behavior.

The ghost of "patient zero", who allegedly first brought AIDS to North America - materialises and tries to contact old friends. Meanwhile, the Victorian explorer Sir Richard Burton, who drank from the Fountain of Youth and now works as Chief Taxidermist at the Toronto Natural history Museum, is trying to organise an exhibition about the disease for the museum's "Hall of Contagion".

A poem about sex work in the age of COVID to the music of Handel. Let me weep over my cruel fate, and let me sigh for liberty.

Circumcision and artistic freedom concern three homosexuals, denied communication during a surreal jail stay.

In June 2011, John Greyson joined a freedom flotilla trying to sail to Gaza to break Israel's blockade. Green Laser weaves together interviews and documentary footage with Hornet lore, Riverdance moves and rewritten clips from Exodus (featuring a shirtless Paul Newman) to explore questions of solidarity, civil disobedience, queer activism and the growing boycott movement.

Story of the same couple, first in their teenage years and then in their twilight years, paradoxically set in the same time during the backdrop of the Gulf War in the Middle East.

Gazonto, the fun new online video game -- bringing the Gaza war home to Hogtown! You can recreate the 2014 Israeli assault, bomb by bomb -- but hey, it's been remapped onto Toronto neighbourhoods! Blow up Kensington Market, Shaw-Givens School, Scarborough General Rehab Centre... and 5000 other T-dot targets.

An experimental documentary on the activist interventions at the Fifth International Conference on AIDS in Montreal, in June 1989. While making fun of television news conventions, the tape prioritizes the voices of grassroots AIDS educators and People with AIDS activists from Trinidad, Thailand, South Africa, Australia, the United States, and Canada. Demonstrations and interventions by AIDS activists from Montreal, Toronto, and the United States take centre stage, literally.

A portrait of three young women: Luna Alyaan, a young Gaza violinist, killed by an Elbit drone; Eden Golan, a Zionist singer who represented Israel at 2024’s Eurovision in Malmo; and Greta Thunberg, who lead protests at Eurovision that year. A dark satire of Israel’s weaponization of song for hasbara (propaganda) purposes, Sorry uses humour and pop culture to create a mash-up agit-prop in support of the ongoing Eurovision boycott and the Dump Elbit campaign. (Inspired by Toronto Palestine Film Festival’s Gaza Lives tribute to artists lost in the genocide).

Outraged by the latest bombing of Gaza, Palestinian queer activists Hamza and Walid recruit queer novelist Jean Genet to help them sabotage the Eurovision song contest in Jericho. Their method? Secure the collaboration of Buddy and Pedro, Toronto's famous gay penguins... The emergence of queer BDS (boycott, divestment, sanctions) as a dynamic Palestinian-led global movement is brought to vivid life through interviews and actions, opera and agitprop, protests and pranks. Recounting fifteen years of passionate activism in Toronto and worldwide, Photo Booth juxtaposes a surreal operatic narrative with documentary scenes that explore pride and pink-washing, gay soldiers and homo-nationalism, Queers Against Israeli Apartheid, and the accelerating weaponization of anti-Semitism.

An exquisite period piece that skillfully explores the intersections of sex, race and politics takes place in 18th century South Africa, telling the passionate (true) story of two men caught in an unjust system rife with racism, homophobia and cruelty.

A 60 minute tape that tells in flash-form the story of a European critic and her relationship to three people; her lesbian lover who died of cancer, a Canadian / director in theatre, and a young performance artist who adopts her persona in a performance. The issue deals with sexual roles, love relationships and women's views of themselves in social/sexual relationships with women and men.

A collage of found footage from different media presenting the case of Simon Nkodi, a black gay activist and student leader in South Africa, who had been in jail for two years when the film was produced. Exploring the connections between anti-apartheid struggles and gay liberation, A Moffie Called Simon is based on letters from Nkodi to his lover, Ray, a Canadian gay journalist.