
Maria Cordsen
Acting
Known For

Investigator Jan and profiler Louise constantly move around in the thrilling periphery of a murderer's view as they link a series of killings.
Darkness: Those Who Kill

The lives of Erik and Anna, students at a nursing school in 1950s Denmark, a time and place where it was not normal for a man to become a nurse.
The New Nurses

In 1963, a business adventure begins in a basement in a small Danish town. Within a few years, the company has 3500 employees, many of them women who are experiencing for the first time the joys and challenges of earning their own money.
Carmen Curlers

A young agent goes undercover to befriend a drug smuggler's wife. But the closer she gets to her target, the more complicated her mission becomes.
The Asset

Twenty-three-year-old Sebastian still lives at home and spends all his time playing Counter-Strike. When Sebastian's parents get tired of their son's lethargy and throw him out of the house, he is forced to support himself, so he starts his own team.
Try Hard

Siff, a student in sexology, find out her boyfriend Lucas and her close friend Maria is having an affair. Neither of them wants to break it up. As a solution the two women decide to share and sleep with Lucas by turns.
Threesome

As a refugee, Mohammed is looking for a quiet and steady life with his girlfriend Ida but loses everything when he is charged with armed robbery and remanded in custody.
Outlaw

No description available.
Den Bedste Tid

An absurd modern anti-romantic love story about falling in and out of love, driven by a discussion of the statement made by relationship professionals that "love consists of 20% feelings and 80% willpower".
That's Amore

No description available.
Her er endnu en

A young Norwegian woman tries to make it as a screenwriter in the Danish film industry. Unfortunately, she runs out of ideas before she even gets started. Like the rest of film history's self-conscious wannabes, however, she is good at creating visual montages of the classic poses of writer's block. It doesn't help. You can't make a film without at least one good idea.