Acting
German daily news program, the oldest still existing program on German television.
The spectrum of topics ranges from political history with a focus on contemporary history (especially National Socialism and post-war history) to cultural history and social history. In addition, ZDF-History also regularly deals with pre-modern history, art and cultural history.
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An in-depth look at news stories. Documentaries that take you behind the scenes giving an insight into people's lives or institutions.
Das aktuelle sportstudio is a German sport magazine on German broadcaster ZDF.
A German television format in which Günter Gaus interviewed prominent members of German society, particularly politicians. More than 200 interviews were conducted over the course of 40 years.
Presents a filmed, intercontinental conversation that links moderator Edward R. Murrow in New York with three internationally known figures located in different parts of the world. What set this apart from other televised interview/discussion programs was the fact that its participants could not see each other but could hear one another via telephone lines and radio.
Impressions of a party congress of the German social democrat party (SPD) in 1964, featuring politicians Max Brauer, Fritz Erler and Willy Brandt.
The Maysles' third film about the artists sees them trying to get three projects off the ground: wrapping the Pont Neuf, the oldest bridge in Paris; wrapping the Reichstag; and surrounding eleven man-made islands in Florida with pink plastic sheets. As the latter is the only one that gets approval, it gets the bulk of this film.
Chronicle of the attack perpetrated by the Palestinian terrorist group Black September in the Olympic Village during the 1972 Munich Summer Games.
Documentary on the former border patrol sergeant Klein. Klein deserted in 1961, defected to the enemy and betrayed state and military secrets. He was caught by the security forces.
Documentary short film in which we see Günther Grass giving conferences, signing books and speaking, among others, with Chancellor Willy Brandt.
Romm pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s–1940s Europe, but also to a firm conviction that nothing of the sort should be allowed to happen again anywhere in the world.
