Kostas Vrettos

The autobiography of Maria Iordanidou from 1920 to 1960. The author continues the narratives of the adventures, taking on the form of Anna, granddaughter of Loxandra for dramatic reasons. She begins her story with the destruction of the house in Makrychori, Constantinople, by the Turks. Then Anna goes on a transfer to Alexandria, Egypt, and there she meets her future husband Christidis. Their romance ends in marriage and the newlywed couple comes to Athens. Anna finds a job and works as a secretary at the Soviet embassy. During the years of German occupation, she is arrested by the Gestapo, survives after many hardships, gets caught up in the whirlwind of the civil war and finally manages to raise her children.

A medical student (Pavlos Sidiropoulos) delays his studies to become a singer in this story of a man who follows his own convictions. He becomes a street singer and finds a young woman (Betty Livanou) he wishes to marry. After the two are wed, he returns to medical school to support his wife and family. He earns his medical degree and lands a job in a hospital. When he refuses to take part in the exploitation of the patients, he is fired. He opens his own practice but later quits when he is asked to participate in another fraudulent medical scam.

A speculation on power, using the film image to experiment with and explore a combination of elements, such as eastern philosophy, pop culture and music. Based on Aeschylus "Prometheus Bound"

A documentary that captures the loss of Athens’ neoclassical houses, portraying a city caught between its past identity and modern transformation.

No description available.

We are in Athens, in August, when the residents are away on vacation. An eccentric music teacher wanders and daydreams in the streets of the half-empty city. In the winds of Plaka, he meets Anna, a strange girl lost in her fantasies, who is always waiting for her beloved to return and take her away, as he promised her exactly one year ago when they met. The two heroes try to get closer to each other, with successive dialogues and monologues that border on the absurd.