Ferenc Deák

The story interleaves the destinies of two families, a Serbian from Bosnia and a Hungarian, in a village on the border.

The father remained in the village to farm land, while the son lives far away from their homeland and country for business. At one point, the son returns to the village and then the crucial question is: who will take care of the land when the father dies?

A young man who lives and works in the big town, comes to his native village to visit his family. He meets his old love, who had finished school but can’t find job. He spends his time with old friends in the bars. At the same time, one of his friends comes from Germany full of money.

A committee made up to investigate illegal masonry in Yugoslavia causes more problems both for the builders and government, and in fact no one have any use of it. The pressure from all sides makes committee work less diligently.

The screenplay was written immediately after the bombing of Novi Sad, 1999, but it was only a motive to speak up about the people that were humiliated for more than ten years in various ways, and that way became the victims of wrong politics, not only Milosevic's, but Western as well. The title of the movie was born there. In the second book of Moses it is written: " An altar of earth you shall make for me and sacrifice on it your burnt offerings and your peace offerings." The people who suffered most in the wars on this territory are the ones that had no influence of what so ever on the development of situation on the Balkan. But, at the same time. there was ambitious youth, that the sense of their life in these stormy time. The film is about them and that is why it sounds optimistic. Film is about the fact that we will always have the energy to survive senseless time and live normally after that.

In November 1956, many people fled to Tito in Yugoslavia and were confronted with socialism, which they called "man-faced". The film's heroes find temporary refuge on a Bunyevac farmer's farm and await their fate there, as well as in nearby Subotica, in a long-simmering family and social environment, under the supervision of local internal security officers. One of them, a participant in the 1942 massacre in Baška, later a carpenter, now posing as a revolutionary, tries to blackmail his host with old memories. A naive young man of faith tries to clear up the gendarme's past, his son, a Stalinist, and his role in the revolution, as does the penitent intellectual.

The employees at a printing company talk about the mutual relations of employees at the company and their family problems.

A 1977 Serbo-Croatian language drama film directed by Slavoljub Stefanović-Ravasi, starring Jelisaveta ‘Seka’ Sablić, Petar Kralj and Mira Dinulović.