Harry Giese

A Nazi propaganda film made to promote anti-Semitism among the German people. Newly-shot footage of Jewish neighborhoods in recently-conquered Poland is combined with preexisting film clips and stills to defame the religion and advance Hitler's slurs that its adherents were plotting to undermine European civilization.

A keen chronicle of the unlikely rise to power of Adolf Hitler (1889-1945) and a dissection of the Third Reich (1933-1945), but also an analysis of mass psychology and how the desperate crowd can be deceived and shepherded to the slaughterhouse.

A Nazi propaganda film about the lead up to World War II and Germany's success on the Western Front. Utilizes newsreel footage of battles and fell into disfavour with propaganda minister Goebbels because of it's lack of emphasis on Adolf Hitler.

A right-wing radical, who is not quite aware that he is one, goes around with his buddies beating people up and taking part in scene events. Things look bad at home. His mother is in the hospital because her husband beat her up. The drunken father has long since brought in a replacement, a homeless woman. The teenager lives in eternal stress with the alcoholic, but gains respect from his father through his right-wing radical friends. From now on, his home becomes the main meeting place of the clique. When one of the antisocial outings of the clique ends fatally for one of the victims, the father offers his son and his friends first an alibi, later a hiding place..

Nazi propaganda film “exposes” the United States and its plans against Germany and the German people. Shows so-called signs of decay, gang-wars, slums, riots of blacks, etc. Small wonder, the comment is, that the Statue of Liberty turns it back on America.

"Götterdämmerung 1945: The last 10 weeks of the Third Reich" - from the battle of the Ardennes till the end. Die Deutsche Wochenschau (The German Weekly Review) was the title of the unified newsreel series released in the cinemas of Nazi Germany from 1940 until the end of World War II.