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Daniil Vvedenskiy

Daniil Vvedenskiy

Acting

Known For

The Great Consoler
5.2

The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.

The Great Consoler

1933
The Living Corpse
5.3

The central character of the play, Fedor Protasov, is tormented by the belief that his wife Liza has never really chosen between him and the more conventional Victor Karenin, a rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he first falls in with Gypsies, and into a sexual relationship with a Gypsy singer, Masha.

The Living Corpse

1929
Loss of Feeling
4.9

In an unnamed English-speaking capitalist land, a young engineer invents inexhaustible giant robots to replace the fragile human workers on high-volume assembly-lines, and soon finds his invention co-opted by the military-industrial complex.

Loss of Feeling

1935
The Bay of Death
6.2

A machinist on a Navy ship has two sons, both bolcheviks. When the revolution comes the Tsarist police captures the machinist to put pressure on his sons.

The Bay of Death

1926
Don Diego and Pelagia
4.7

The vain station master of a Russian train station out in the sticks has a quarrel with an old peasant woman and has her thrown in jail. The local party youth organisation finally manage to get her released, after having to cut through lots of red tape.

Don Diego and Pelagia

1928
Salamander
6.3

The film is based on real events and reveals the tragic episodes from the life of the Austrian biologist scientist-materialist Paul Kammerer (1880-1926), hunted by regressive scientists and Catholic reactionaries who committed suicide.

Salamander

1928
Outskirts
6.3

In a remote Russian village during World War I, colourful and nuanced characters experience divided loyalties: family loyalty vs. personal desire, nationalism vs. transcendent humanism.

Outskirts

1933
House of the Dead
5.0

Soviet film based on Dostoevsky's autobiographical novel of his prison experiences in Tsarist days.

House of the Dead

1932
The Ghost That Never Returns
5.7

The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel gang. This existential drama disguised as a saga about the proletarian struggle presents a lonely and insecure individual who is challenged to act more heroically than he is prepared to, but who constantly questions his confidence and loyalties.

The Ghost That Never Returns

1930
Ranks and People
5.6

From his early silent works, the great Russian film director, Herr Yakov Protazanov, made literary adaptations from equally great Russian writers, as is the case with "Chiny I Lyudi" ( Ranks And People ) (1929) in which three short stories by Chekhov, "Anna On The Neck", "Death Of A Petty Official" and "Chameleon" were assembled for the silent screen.

Ranks and People

1929
The Three Million Trial
6.1

History of theft and double crossing when two thieves fall out over the theft of the money of the proceeds of the sale of a house by a banker to a religious community.

The Three Million Trial

1926
A Border on Lock
N/A

A border guards are hunting a spy infiltrated to the USSR.

A Border on Lock

1937
The Yellow Ticket
5.6

Jacob, a farmer, returns from the war to his wife Marie and begs the landlord baron for a plot of land to rent. The Baron grants the request, but only for a barren, rocky, useless acreage. The pair struggle to make do on this land, but then the Baron demands that Maria leave her husband to serve as wet nurse to his married daughter Anya's new baby, on threat of eviction. While nursing the daughter's baby, Maria receives unwelcome attentions from the daughter's husband, and a scandal erupts, ruining Maria in her husband's eyes. When she escapes from her employers and seeks to return home, the police give her the yellow passport signifying a prostitute, further degrading her. She approaches home, unsure of the reception that awaits her.

The Yellow Ticket

1928
I Love
9.5

Russian Empire, 19th century. Poor Nykanor leaves his village and becomes a miner in the Donbas. His son Ostap also becomes a miner and works in the mine for thirty years, but after his father's sudden dismissal, he realizes that the state system needs radical changes.

I Love

1936
Sasha
10.0

A Russian woman tells the tragic story of her life.

Sasha

1930
Diary of a Revolutionist
4.0

The secret police agent finds that factory director wife is counterrevolutionary but dies from the heart attack. The director reads the diary of an agent and turns his wife to police.

Diary of a Revolutionist

1932
Sea Post
5.0

Everyday life of a maritime border guard post in the mid-1930s. On a small Pacific island, a garrison of NKVD border guards is on duty. A small detachment of soldiers bravely defends their homeland from attacks by Japanese saboteurs and drives away uninvited guests. One day, a Japanese destroyer lands troops on one of the Soviet islands. The invaders are aided by traitors they have recruited. But the border guards give the aggressors a worthy rebuff.

Sea Post

1938
Who Are You?
N/A

Adaptation of Jack Londos's short story "The South of the Slot". Partially lost.

Who Are You?

1927
Poison
10.0

Partially lost.

Poison

1927
Victory of Women
10.0

About life and customs in the boyar environment during the reign of Peter I.

Victory of Women

1927