Catherine Ohotnikoff

Two buddy farmers are visited by aliens who like their domestic cabbage soup.

Paul, a former womanizer, marries the head of the medical department's "unattractive" daughter Christine because he thinks attractive women can't be trusted and make poor wives. A car accident leaves him bedridden and he begins to miss his playboy days, when Christine's bombshell sister Martine arrives and Paul decides he must have her. He begins drugging Christine at night so he can sneak out to kill of Martine's many suitors one by one.

Walter Klozett is a spy arrested and imprisoned by the French Police who know him in possession of stolen booty which the French secret services would like to recover at all costs.

Brumaire, the director of public relations at the Élysée, is trying to boost the rating of his government.

It’s summer in a small port town in Brittany. Isabelle (Pascale Rocard), who has just graduated from high school, comes to join her mother Micheline (Bernadette Lafont). Micheline is being courted by a beach boy, Maurice—whom everyone calls Doudoune (Bernard Menez). Isabelle soon begins a sweet romance with one of his friends, Pascal (Pascal Meynier). Meanwhile, her father (Michel Aumont) has stayed behind in Soissons, where he runs a medical laboratory, and is bored to death. Every weekend, he comes to spend 48 hours with Micheline and sometimes splurges a little extra in Paris, hitting on girls in nightclubs. Efforts that are not crowned with success. On the contrary, in Brittany, that ladies’ man Doudoune gets what he wants... But when the family man comes to join his loved ones, the blunders and misunderstandings multiply...

Philippe Lantier, a wealthy womanizer, falls for a beautiful blonde, Madeleine. In the process of seducing her, he will discover that he's got a heart.

Meet France’s mysterious master of photography, neglected in his own lifetime but since feted for helping position the medium as an art form, and as an inspiration to surrealists. This meditative Arts Council documentary introduces Eugène Atget, a former actor who began to document the streets of old Paris from the 1890s. Little is known about his early life and the three decades he spent capturing, in eerie tableaux, urban spaces since lost to progress. The film includes dramatised scenes from his life, including his belated ‘discovery’ by American photographers Man Ray and Berenice Abbott, who published many of Atget’s works after his death in 1927.