Sally Phipps

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

To cure their flirtatious husbands of consorting with flappers, three wives-- Susan Martin, Ethel Drake, and Kitty Ladd-- arrange with three college boys-- Henry Winton, Oscar, and Joe Valley-- to flirt with them at a house party. Joe Valley, who poses as a hot-blooded Spaniard, is vamped by Ginsberg in female attire, and Oscar, a bashful Swede, uses caveman methods when aroused. During a rehearsal of the party, the three husbands arrive, followed by their flapper friends, leading to comic complications.

Pete (Nick Stuart) and Bill (John Darrow) are childhood rivals who continue to feud in high school, especially when they both develop feelings for Eleanor Barrett (Sally Phipps). Their rivalry threatens to disrupt the school basketball team, but they eventually make amends.

Bertha Sloan loses her job as a sewing-machine girl and subsequently is employed as telephone girl with a lingerie manufacturing company. She soon falls in love with the assistant shipping clerk, Roy Davis, and is promoted to chief model for the firm, owing to the patronage of Morton, the wealthy and wicked manager. Bertha is about to take a position in Paris as designer when Morton lures her to his home.

Why Sailors Go Wrong is a 1928 American silent comedy film directed by Henry Lehrman and written by Randall Faye and Delos Sutherland.

College hero Charles Stanton fails miserably as an insurance agent; so he becomes a lifeguard, saves an injured swimmer and is rewarded for his valor.

When the girls on campus learn that Tom Drake is so super-shy that he never kissed a girl, they begin betting which one will kiss him first. So the girls line up to try to get their lips on him. However, in this and subsequent scenes, crazy stuff keeps happening to prevent him from getting that kiss.

Mimi, an unsophisticated American girl attending an exclusive Swiss boarding school, unexpectedly inherits a large fortune. Returning to the United States she quickly begins to live a wild and reckless life. Good-natured Joe attempts to set her straight, but she keeps right on living riotously. It takes Mimi a serious accident while joyriding to comes to her senses and realize she is ready for a more settled existence.

The Outlaw, preparing to rob the stage, receives a letter from his wife, telling him to lead a good life for the sake of her and his baby, and informing him that he may expect them any time. Filled by remorse, he refuses to accompany his companions on their hold-up. As he rides away, he sees a sign offering clemency to the unknown robber if he will give up his gun. He seeks out the sheriff, surrenders the gun and goes on his way. But the stage is held up and the pursuing posse arrests him. Rendered desperate, he makes his escape and prepares to resume his criminal career. But the posse captures the real bandit.

A silent comedy short.

Billy rescues a child and returns her to her mother. When the husband returns and discovers that the savior of his child is a wanted outlaw, he's faced with a moral crisis.

He was a great Persian Prince. His Harem was filled with seductive beauties. Yet he loved one woman- a woman from another country-wife of another man.

Nick Naylor receives an order to take a picture of the camera-shy millionaire A.K. Wellington. As the millionaire is traveling with his daughter, Nick follows them to Lake Placid, Palm Beach and even Havana. In Havana, he is then able to shoot the photos of the millionaire. There, they are both kidnapped.

The highwayman, watching through the window of the ramshackle express office, sees the messenger pass a large sum of money under the charge of the agent. A few minute later the messenger, an old man, is held up and robbed by the highwayman. His pursuing shots attract the attention of the sheriff and he starts in pursuit. The highwayman is wounded and drags himself to the barn of a rancher. The rancher saves him from his pursuers and earns his gratitude. A few days later the rancher learns that the police are on his trail for a crime he had committed years before.

A jazz version of O. Henry's The Caliph, Cupid and Clock.