Adnan Barakat

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The events of the series revolve around Bahloul (Issam Suleiman), a man who constantly relies on others rather than on himself. Circumstances force him to leave his village and move to another. After arriving in this new village, the residents believe that Bahloul is a very brave and powerful man. The villagers are overjoyed at his arrival, hoping he will save them from the wolf that attacks the village and threatens the lives of its people and their livestock.

Two friends are trying to find a suitable place to stay. They find a suitable residence for a woman to live alone. The owner of the house rents a room in the apartment to the two friends without the woman knowing during her absence, which generates funny ironies among everyone.

The film follows three Palestinian refugees brought together by dispossession and hope for a better future. Hiding in the tank of a truck, the men attempt to make their way across the border into Kuwait, the "promised land."

The Yazerli is the foreman who provides work to day laborers. The film’s poetic, non-narrative structure simulates the fractured thoughts of a young boy who is forced to leave school and find work on the docks. Using minimal dialogue but evocative music and sounds, separate vignettes introduce characters the boy encounters in a single workday. The filmmaker explores the child’s vivid imaginary world while tangibly conveying the physical harshness and repressed sexuality of a life spent in poverty and manual labor. Based on a novella by Hanna Mina.

After the assassination of the Palestinian artist Naji Al-Ali in London in 1987, the film flashes back to the stops that he went through in his life, starting from his displacement with his family to Lebanon, to his work in Kuwait, to his return to Lebanon during the Lebanese civil war.

Sabah is a creative writer who goes through the complexities of life in a city that pushes its children from its center to its outskirts where expatriates reside. He suffers from financial hardships, while a love story grows between a boy and a girl who meet at night in the rain.

Three young men from different social classes, brought together by circumstances and coincidence, each with his whims, requirements, ambitions, and frustrations, seek to seize a sum of money found in the home of a rich man. They hatch a plan to infiltrate the house, manage to obtain the money and escape.

Based on the famous story, “Sa’ay El Bareed La Yaduq Babek Maratein” (The Postman Doesn’t Knock Twice), an adventurer escapes from danger by hiding in a small motel along the road. The motel is owned by an old, miserly man who is married to a young beautiful woman. Soon the fugitive and the wife develop a passionate relationship and plot to kill her husband. However, the old man’s son returns to spend the weekend in the motel and the plan goes off the rails.

A newly graduated young doctor has hopes of making his way steadily in his country, or of traveling to another country in order to achieve his dreams. In the village, he wakes up from his rosy dream he lived before he traveled to a harsh reality, after he is accused of murder.

A plastic artist suffers from extreme poverty. His friend convinces him to fake suicide so that he can become famous as a genius artist and sell his paintings. It turns out that this friend is trying to seize his paintings and his lover. The artist discovers his friend's betrayal and plots to expose him to everyone.

In a social drama setting, the series tells the story of a very poor family whose circumstances mysteriously change. New developments unfold for the family as they interact with society and experience personal transformations, especially after they begin to consider themselves part of the wealthy class.

A beautiful girl falls in love with a simple employee and surrenders herself to him, only to discover that he doesn't love her as he forsakes her. When her brother finds out what happened, he decides to take revenge on him and chases him everywhere.

The story of the film within the Abu Asaad family revolves around the inheritance of three brothers in the city of Hama in central Syria, but severe disagreements arise between them over how to divide this inheritance.

Dib moves with his younger brother and their mother from his home town of Quneitra to Damascus after the death of his father. The children’s grandfather, who was known for his tyranny, reluctantly agrees to shelter the grieving family, and tries to force his daughter to marry again. The magic of the city of Damascus takes over the conscience. Dib, whose main concern has become discovering all the secrets of this city, is driven by his heart full of dreams, but he sees nothing in his life except humiliation and cruelty. The fragrance of childhood dies in Dib's heart, as he grows up in light of the political fluctuations that prevailed in the fifties (the end of the military dictatorship in Syria at that time, the nationalization of the Suez Canal, Nasser’s rise to power in Cairo, and Egyptian-Syrian unity in 1958), so that his rosy childhood dreams were shattered on the rocks of cruelty and violence. The city's dreams turn into a nightmare..