Luciano Berio

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.

Documentary exploring why Belgian television doesn't invest more money in Belgian cinema as is the case in e.g. the netherlands.

Chris Marker’s A Grin Without a Cat is an epic political essay tracing the rise and decline of the global left from the 1960s to the 1970s. Through archival footage and commentary, the film examines revolutionary movements in France, Latin America, and beyond, reflecting on the ideals, failures, and fading hopes of a generation.

A sweeping documentary explores China through its people, showcasing life in Beijing's old city and a bustling cotton factory, a collective farm in Henan, the historic city of Suzhou, and the industrial port of Shanghai, culminating in a vibrant acrobatic performance.

At the end of the war, Odysseus, the wandering hero, with his companions begins his sail back home to the Mediterranean. The conclusion of his adventure is delayed by many natural obstacles and he takes an internal journey of fleeting memories of his childhood, his parents, love for a beautiful girl, nostalgia for the past, regret for what he did, and the deep silence that envelops everything. He confronts the most terrible loneliness following a shipwreck in which all the comrades perish.

Attrazione d'Amore is a touching illustration of the unique relation that has developed between the Conductor Riccardo Chailly and his famous Royal Concertgebouw Orchestra. Voyage to Cythera navigates through wonderful musical quotes made of performances conducted by Berio, rehearsals, archival documents and interviews featuring Riccardo Chailly and Louis Andriessen.

A child is confronted with the (ever young) old age of the world, its hazards, its cinema and music, shot in seven days in Rome, Fiumicino, Ciampino and Cineccità. What will happen on July 12, 1995, in Rome ? What will become of July 12, 1995, in Rome ?

Vinko Globakar, a virtuoso trombonist, plays on a stage, alone, Luciano Berio's Sequenza for Trombone.

At the Lightroom in London, pianist Yuja Wang offers an extraordinary recital at the heart of the immersive exhibition devoted to David Hockney. In this concert, the British painter's brightly coloured canvases enter into communion with the musical works performed, ranging from Bach to Samuel Barber. An unusual unison of the visual and audio arts.

In memory of the countless victims of armed conflict, Patricia Kopatchinskaja presents a concert conceived as a mosaic of deeply moving music and texts from a wide variety of sources and authors. The violinist breaks down the traditional barrier between the stage and the audience.

Although he is a highly regarded classical pianist, Francesco Tristano closes his concerts with a remarkable DJ set. With these unique performances, part classical music and part electronic, the Luxembourg-based artist proves he can stimulate both mind and body.

An essay parable, part documentary part fiction, on the desire for a leader, anchored in Brecht’s 1935 poem A Worker Reads History.

Under the baton of Pascal Rophé, the Radio France Philharmonic Orchestra performs Luciano Berio's Sinfonia and Mahler's Fünf frühe Lieder, after introducing us to Bára Gísladóttir's sea sons seasons.

The basis of the film is a series of original drawings with the joint title 'Upruption', drawn by Palle Nielsen from the autumn of 1965 to the beginning of 1966. There are people fleeing from a disaster which has already caught up with them, people thrown to the ground as if by a giant blow, crawling , cowering, always with their faces turned in terror to the sky, while entire cities crash around them. There is a mute, nameless horror around these faces that scream without sound. (DFI)

From the Auditorium in Turin, conductor Luciano Berio and the RAI National Symphony Orchestra, with soprano Anna Rita Taliento, baritone Alan Opie, and violist Sabrina Giuliani, perform: Ulisse, a suite from the opera by Luigi Dallapiccola, and Concert Music for Viola and String Orchestra by Giorgio Federico Ghedini.

From the “Arturo Toscanini” Auditorium in Turin, to celebrate the centenary of Luciano Berio’s birth, the RAI National Symphony Orchestra and its principal guest conductor Robert Treviño present “Folk Songs” for voice and orchestra, performed by mezzo-soprano Justina Gringytė. The second half of the evening features Dmitri Shostakovich’s Symphony No. 4 in C minor, Op. 43: one of the Russian composer’s most emblematic and experimental works.

From the Auditorium Rai Arturo Toscanini in Turin, the Orchestra Sinfonica Nazionale della Rai, conducted by John Axelrod and featuring the voices of The Swingles, performs music by Luciano Berio, Sinfonia for eight voices and orchestra, and Leonard Bernstein, Divertimento for orchestra and Fancy Free, suite for orchestra.